Tuesday, January 28, 2020

All About the Print

Faux fur leopard prints that are all over the place right now.

You cannot, of course, get the real deal anymore (as far as I know), but from designer labels to Walmart's Everyman's clothing line, we are graced with the presence of these winter warmers.

Perhaps it is the "inner feline" that is awakened. Or it is simply something undecipherabley attractive, innate and instinctive, about these prints, that has lured women to take out their pocket books and spend their dollars on a faux fur craze which has now lasted for several decades. And there's no risk of red paint to tarnish your respectability by (crazed) faux fur advocates (with whom you have NO allegiance, since you never know when they might turn).

Here is Walmart's $70 faux fur coat, soft and warm (I've tried it on!).


CAN$77 (US$60)

Walmart tells us:
Get coverage and style when you pull on George women's AOP faux fur car coat. Knit from soft, patterned faux fur, it’s styled with a revere collar [What is a revere collar - my link], jetted pockets and concealed snap closure. Fully lined, the shiny coat on this box-cut jacket will add an element of chic to any outfit you throw it over.

• 100% Polyester
• Faux fur knit
• All over pattern
• Full lining
• Revere collar
• Full snap button closure
• Jetted pockets
• Soft hand feel
• Dry clean only
Holt Renfriew, The Bay, Simons, Macy's, Bloomingdale's, Saks, Bergdorf Goodman, all have their variations (all at least $100 more than what Walmart offers).

Everyman wins, hands down.

Below is a fascinating, and I think very good, article on the "history" of the leopard print.

Sunday, January 26, 2020

January Garden


January Garden
[Photo By: KPA]

"The belief in objective truth is the keystone of traditional Western culture, and the explicit basis of the United States of America. For America's founding generation and their posterity, man's inalienable rights to liberty and self-government proceed, not from from the will and desire of man, but from "nature and nature's God." Man's freedom is ordained, and constrained, by a reality higher than man. It was the shared experience of that truth that formed the American nation."
Lawrence Auster
Our Borders, Ourselves: America in the Age of Multiculturalism
Chapter 4: The Spiritual Effects of Multiculturalism
P.58

Monday, January 20, 2020

Double Country

I made it to the Art Gallery of Mississauga on Saturday, ignoring the forecast of a snowstorm. The storm was worse than I had expected, the falling snow was a snow/ice mixture, with a blowing wind that made these pellets feel like mini pine needles.

The AGM hosted its the annual juried show presented by Visual Arts Mississauga the night before. I prefered to see the exhibition at a quieter time, at my own pace. The VAM Facebook page has uploaded photos of the event, including some of the paintings (there were 40 entries).

Here are two that caught my eye in the exhibition, and which I took snapshots of:


Left: Hannah Veiga: You Used to be My Favourite Colour
Right: Stuart Godfrey: 4th Line Backside

Albeit, they are both a little bleak in concept.

Veiga writes on her website that her fabric piece is: "a contemplation of what constitutes a home, and what remains when something loses its meaning of a home." Is is not clear what she means by that. Perhaps her curtains don't have any place to hang, other than in galleries and design shows. Her floral design is a complicated process with seven color scheme (red, light red, green, light green, grey, yellow, white), and its mockup on (Japanese) Kozuke paper - no less! I assume the fabric was printed through the digital fabric printing processes now readily available, probably more so than silkscreen studios. Manual printing, the method I used to print on fabric, prepares each color separately on a silk screen, and in this case, seven separate screens, to produce the whole pattern.

And Godfrey's barn has no front, and the items within it, or surrounding it, look like old fences, sacks and what look like mattresses. But it is still standing, as are many old and non-functional barns throughout the countryside, waiting to be rediscovered, remodeled, and to be put to use again. Godfrey is a talented painter, whose oil panel is meticulously painted, to the last blade of grass.

Both pieces allude to a surer time, when no-one questioned the "favourtism" of a home's choice of colors. When curtains WERE colorful, and the black/white/gray/beige variety that line "designer" stores these days (for color and variety, go to Walmart!) And both have solid structures: the barn still has an upright frame, and all a farmer need do is restore the floors and facade; the pattern promises of a home of florals. And both reference a time in the recent past when we had such things in our landscapes, both internal and external, and lived better lives through them.

Waiting to Skate


Waiting to Skate
[Photo By KPA]


This little girl was briefly out on the skating rink in Mississauga's City Centre, but had to come back into the shelter because the Zamboni was clearing the snow, which would fill up the cleared tracks just a few minutes later. We were in the middle of one of the worst snow blizzards I had experienced. A few brave souls went out nonetheless. I went because I wanted to view the latest exhibition at the Art Gallery of Mississauga which had opened day before. Here's my post on two works. The gallery would open a half hour later at noon - on week-ends. She came with her sister I am sure convincing their mother that it would be OK. She (and her older sister) got an apple each for their efforts!

Sunday, January 12, 2020

Three Wise Men in the Modern World


The Adoration of the Magi
Copy woven 1894 for the Corporation of Manchester
Designed by Edward Burne Jones with details by William Morris and John Henry Dearle
The Adoration of the Magi, tapestry, wool and silk on cotton warp, 101 1/8 x 151 1/4 inches
Manchester Metropolitan University


E. Michael Jones is referring to the Three Wise Men as "The Three Wise Persians."

This is both biblically and historically incorrect.

It appears that Jones' insistence on the Persian origin of ALL the magi may be to give credence to the current, Islamic, anti-American, regime in Iran and to connect the birth of Christ with a Persian legacy, and to legitimize the "Death to America" chants of Iranians in Tehran. The Persians after all acknowledged the birth of the Messiah, and even brought him gifts.

The world is becoming anti-American, anti-West, and anti-Christian. Jones should know this. No ancient gift would expiate the ruthless aggression of this "Death to America" or its subtext, "Death to Christian America," proclamation. And why doesn't Jones understand, or acknowledge this?

Perhaps he does wish "death to America," in an innocent desire to abate what he believes is now a sinful, Godless, country, and to start afresh with a country which he believes could be re-positioned closer to God.

Here are some biblical and historical accounts of these magical, ancient, men: kings who came from afar to pay homage to the infant Christ.

From Matthew 2:1–12:
In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, "Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage." When King Herod heard this, he was frightened and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, "In Bethlehem of Judea; for so it has been written by the prophet: 'And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'" Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, "Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage." When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path.
The biblical version identifies these men as "wise men from the east."

Biblical historians and analysts say:
They were of noble birth, educated, wealthy, and influential. They were philosophers, the counselors of rulers, learned in all the wisdom of the ancient East. The wise men who came seeking the Christ child were not idolaters; they were upright men of integrity.

They had apparently studied the Hebrew Scriptures and found there a clear transcript of truth. In particular, the Messianic prophecies of the Old Testament must have claimed their attention, and among these they found the words of Balaam: “A Star shall come out of Jacob; a Scepter shall rise out of Israel” (Numbers 24:17, NKJV). They certainly were acquainted with the prophecy of Micah: “But you, Bethlehem Ephrathah, though you are little among the thousands of Judah, yet out of you shall come forth to Me the One to be Ruler in Israel” (Micah 5:2, NKJV; see also Matthew 2:5, 6). They probably also knew and understood the time prophecy of Daniel regarding the appearance of the Messiah (see Daniel 9:25, 26) and came to the conclusion that His coming was near.
[Source: The Magi]
And
They have become known most commonly as Balthasar, Melchior, and Gaspar (or Casper). According to Western church tradition, Balthasar is often represented as a king of Arabia or sometimes Ethiopia, Melchior as a king of Persia, and Gaspar as a king of India. [Source: Britannica.com]
And a more precise origin of Balthasar as an Ethiopian:
Balthasar is the young black King of Ethiopia and wears a purple/blue cloak. Balthasar is traditionally associated with the gift of myrrh. [Source: Jesuit Institute, London: Feast of the Epiphany]
An explanation: Ethiopia stands at the southern post of the Arabian peninsula, and is often categorized as an "Arabian" land. Its history may connect it to Arabia, but it has always maintained an independent and separate identity. It is very likely that one of the magi did come from Ethiopia.

And here is a longer account (and analysis) concluding that the probable land of origin of one of the magi was Ethiopia. Sheba's empire, now part of the modern state of Yemen, reached far north from what is currently Ethiopia into the Yemen.
Scholars have tried to connect the gifts the Queen of Sheba brought with the possible location of Sheba. She brought spices, gold, and precious stones, all products of extreme wealth. Spices, in particular frankincense and myrrh, came from the area of modern-day Ethiopia, Eritrea, and Somalia, on the African coast of the Red Sea. Ancient gold mines have been found in the same area.
And
That Abyssinia (Ethiopia) was peopled from South Arabia is proved linguistically...[Source: Britannica.com]
And below is an excerpt from the chapter “Where is Medieval Ethiopia? Mapping Ethiopic Studies within Medieval Studies” by Suzanne Conklin Akbari (of the University of Toronto), in Toward a Gobal Middle Ages: Encountering the World through Illuminated Manuscripts (Ed. Bryan Keene).
[Note 1: images referenced in the text can be viewed at the linked site
Note 2: T-O map refers to a type of early world map]
In theological terms, Ethiopia was understood as a place of special grace and apocalyptic expectation. In the Hebrew Bible, the story of Solomon and Sheba was interpreted in terms of a mystical union that brought the earthly Jerusalem into contact with the southern riches of Ethiopia; in the Acts of the Apostles, the queen of Ethiopia, named Candace, is identified as the ruler of the Ethiopian eunuch who converts to Christianity. Apocryphal stories of the Magi, seen in a twelfth-century Beatus manuscript from San Petro de CardeƱa (1175–85; New York, The Metropolitan Museum of Art, 1991.232.1), also associate one of the three wise men with Ethiopia, in a reassertion of the fundamentally tripartite division of the world found in the medieval world maps and medieval encyclopaedias. These texts divide the world into three parts—Asia, Africa, and Europe—to correspond to the three sons of Noah: Shem is associated with Asia, the biggest part; Ham, the outcast, with Africa; and Japheth, the youngest, with Europe. The three Magi recapitulate the sons of Noah, but while the sons of Noah are scattered outward into the wide world after the Flood, their descendants populating each of the three continents, the three Magi come inward toward the sacred center of the nativity. On this Beatus manuscript page, a depiction of the Virgin and Child with the Magi, to the right, is integrated within a larger genealogy laid out in a series of linked circles, plus the familiar form of the T-O world map at the top left. Note that the T-O map includes not just the names of the three continents, but also the three sons of Noah, as a visible reminder of the Old Testament prefiguration of the three Magi, seen at right. The economy of type and antitype is expressed in terms of word and image, with the
names of the sons of Noah foreshadowing the vivid human forms of the three Magi.

Depictions of the Magi vary in how they present the ethnic origins of each of the three kings. Some, such as the Beatus image mentioned above and as in a book of hours from Naples (1460s; Los Angeles, The J. Paul Getty Museum, Ms. Ludwig IX 12), show exotic dress but only moderate differences of physiognomy, while others, as in the Prayer Book of Albrecht of Brandenburg illuminated by Simon Bening (ca. 1483–1561), show bodily diversity more vividly, with black skin (fig. 4.4). Like the Ethiopian magus, depictions of the Queen of Sheba also vary in how they portray ethnicity. While there was a rich medieval commentary tradition on the Song of Songs that interpreted the allegory of the beautiful and black bride in historical terms, as the Ethiopian Queen of Sheba, pictorial depictions of the encounter of Solomon and Sheba often show the queen as fair-skinned, as in the page by Simon Bening that faces his image of the Magi.10 The queen is attended by two other women, her attendance on Solomon and offering of gifts appearing as a counterpart to the offerings of the three Magi. To put it another way, a chain of typological prefigurations links various moments in salvation history, with each one of them rooted in an essential notion of Ethiopian identity. In one typological relationship, the sons of Noah prefigure, and are fulfilled in, the three Magi. In a second typological relationship, the encounter of Solomon and Sheba, and the tribute offered by the Ethiopian queen to the king of Israel, is fulfilled in the tribute offered by the Ethiopian magus to the newborn king of the new Israel.

Friday, January 10, 2020

Tresor on January 10


Tresor

January 10th:
Capricorns born on January 10 have heightened perception and fiercely held likes and dislikes. They are not shy about dealing with others in a direct and honest manner. They have no secret agenda. They are proud of their forthright approach to life and may even flaunt it.
Pretty much true, if I may say so myself.