Showing posts with label Evil. Show all posts
Showing posts with label Evil. Show all posts

Monday, October 21, 2019

Good Vs. Evil


Call Me Jen

Reclaiming Beauty has always been about popular culture, as a non-elitist stand which pulls ordinary people, and others, into a world of beauty, culture, and society, that aims to prevail over the nihilism that is (I believe deliberately set-up) part of our contemporary world.

So, let's go into the real pop culture, a world which the Walmart checkout lines display in full view. Where young women scan assiduously as they get ready to buy the next edition of InStyle for the exorbitant price of a book - that's $9 Canadian for me.

One of my favorite actresses, Jennifer Aniston, is back into the real world.

She suffered a lot. Her husband, the handsome Brad Pitt, and by all accounts the love of her life, abandoned her for that evil woman, Angelina Jolie. You don't believe me? Then look at what Jolie is up to these days (image courtesy of the movies), in her new movie Malfecent: Mistress of Evil.


Angelina Jolie in the second edition of the movie Maleficent, with her Devil's horns

Jennifer was engaged to someone else - a second-rate actor, nowhere near the talent of Pitt (at least in his pre-Jolie, pre-global adoption years) - but apparently broke it off.

She is now back on track, looking as young and fresh as Rachel Green, in her Friends days, a show of which I was a great fan, only to see what was the latest outfit that the photogenic and charismatic Rachel (aka Jennifer) wore.



Poor Rachel. She was cast with these wimpy, erratic men, more "female" than her. But she, in her wisdom, never outshone them unless it was in dress or in her ability to get out of their pathetically induced difficult situations. Jennifer ALWAYS came out on top.

Now, Brad Pitt is back in the market. I think he's super handsome, which may have been his Achilles heel. He was in some late night talk show recently, and he did pretty well.



Jennifer can win him back. Cleverly, and with femininity.

She is, after all a Single Woman, and he an eligible (divorced/separated) bachelor.

And Jolie, against whom Aniston never uttered a SINGLE malevolent word, is out making her witching tale, conniving with the Devil and his horns, and a new edition of her film franchise Malefecent.

I hope her Ethiopian adopted daughter turns to Pitt (her adopted father), and to Jennifer, for her salvation.





Sunday, January 27, 2019

Going to the Other Side

From Camera Lucida, March 7, 2012



Going to the Other Side

Going to the Other Side
(Lanvin's Spring/Summer fashion ad)

[Notice that the image on the right looks like a mirror image of that on the left (or vice versa)], but it isn't. I tried to do a mirror image match of the woman in pink with photoshop, but couldn't. And the light reflecting on the snake's head on the right isn't on the snake's head on the left.

Lanvin is literally taking us to the "other side," the alternate reality, where things look the same, but aren't.
]

--------------------------------------------------------------------------


Eve seems to be a recurring theme in fashion magazines (and fashion) these days. Recently, I blogged about the fashion house Blumarine, and its use of a female model in close association with a snake, from the snake skin attire that she was wearing to a strange conversion of her persona into that of a snake.

Lanvin seems to be on a zealous mission to bring Eve and the snake to the forefront, even more so than Blumarine. The March 2012 Vogue issue has a three-page Lanvin fashion ad where snakes are everywhere. Some (a few) are cleverly incorporated into the women's clothing and accessories, not as patterns nor their skin as the material for the clothing, but as sculpted three dimensional forms, almost alive in their sinewy presence. Most of the snakes, though, are crawling through the pages.

The writhing snakes are always in close proximity to a woman, and their relation to the males seems to be dictated by the women. For example, the complete version of the Eve/Snake shoots, available online here, has a sado-masochistic bondage scene. A man is lying down with his hand tied down with a snake while a woman threateningly brings a snake close to his face, as though to release the snake's poison on the man.


Where the man is holding a snake, he seems to have less control over it. Some snakes wrap themselves around a man's wrist or arm, acting as handcuffs or ropes to tie him down. Others slither across men's bodies (shoulders, arms, legs).


The women are sinewy and active, while the men are sitting or standing stiffly, like lifeless mannequins (a role reversal, since we are used to seeing female mannequins). And the men are often positioned lower than the women, reinforcing the female dominance.

The women's faces in all the photos are fully exposed. And despite their similar looks, with sleeked back hair (to resemble the snake), they still have distinct, strong personalities. The men have stunned expressions, and their hardened features are not as strong or as confident as the women's. In the image at the beginning of the post, the men are anonymous, their faces covered with masks to erase their identity and individuality.

[Close-up of the top image, showing men's masked faces]

The women are not interested in seducing the men, despite their provocative, aggressively female dress and posture, but in subduing them.


The sinewy, domineering women seem to have become snakes themselves. And having stunned the men into wooden passivity, they crawl all over them at their pleasure.

The snake has made woman his ultimate accomplice. And she has taken her complicity to the final level, where she is renouncing herself to become like, or be one with, the snake.


The Lanvin ads, with their clever associations, have made woman the protagonist in their images. This is easy to accept since women are always dominant in fashion shoots, fashion is about women. In the imagination of fashion photography, and in women’s fashion fantasies, modern sex relations can resume where the Garden of Eden ended. Eve finally does take over.

Monday, September 3, 2018

Bus Stop Roots and Demons



The caution against, protection from, which we should all practice relates to the insidiously over infiltration of the Devil. Many people are writing about this now. Here is an interveiw with by E. Michael Jones who talks about "the velocity of events...picking up" and especially regarding the Catholic Church.

I focus mostly on images around us: on posters announcements, magazine covers, store widows. Of course art, which is still "elitist," despite the liberal leftists' attempts to make it "ordinary," is the prime place where I have recorded this.

In any case, above is a poster I took of the Roots' clothing brand, and their poster/publicity on a bus stop shelter.

There is a palpable glow, especially around the howling face of the singer, almost like a halo, but more a sickly green than a redemptive gold.

The glass from the poster screen reflects the surroundings and you can see cars as they justle through the busy intersection as well as a historic building which is part of Mississauga's cityscape.

I thought the artist was a white female in cornrows. Multiculturalism and multiracialism is another way that the Devil gets into our culture and lives and makes it easier for us to accept its ways.

I looked up the singer's background. It was easy. Look at the name - KILLY. Yes that's his name, his rapper name from Khalil Tatem (and yes it is a male), a Filipino and Bermudan, now Canadian.


Album cover for Surrender Your Soul

The first two lines of his song Surrender from his debut album Surrender Your Soul are:
Runnin' with the wolves, split a pack of the 'Woods down
Wizard with my words and my lifestyle understood now
And
She no angel, she a scapegoat
he sings, with clear allusions to the goat of evil, in his track Doomsday. And continues:
I come alive
On dooms, doomsday

Image from Spotify single Doomsday
like the vampire with fangs


And in Killamonjaro (from Killy?)
I got a lot on my conscience
These demons, they callin', they teasin', they weighin' on me
(weighin', weighin' on me)

Image from single (on Spotify) of Killamongaro

He warns in Pray For Me:
I said pray for me or you prey to me


His Spotify (a digital music, podcast, and video streaming service) image has him with the Devil's horns, fangs, and a wizard's robe.

Tuesday, July 17, 2018

Of Zombie Witches and Desolate Forests

J. S. Smith at The Orthosphere writes:
As a sixteenth-century witch hunter put it, when hags convene to invoke evil spirits, the place
“to be chosen [is] melancholy, doleful, dark and lonely; either in woods or deserts, or in a place where three ways meet, or among ruins of castles, abbeys, monasteries, or upon the seashore when the moon shines clear” (Reginald Scott, The Discovery of Witchcraft [1584]).
I wrote about this here: The Covert (is there any other way?) Satanic Imagery in the New Art Gallery of Mississauga Exhibit.

An excerpt from my article:
Here, a zombie witch (whose gender is nonetheless not clear) sits in a forest as she (it) genuflects its arms around its grey hair (casting spells?). Later in the video, this zombie witch joins other creatures as they run through the forest, two which are horned, and another a more "conventional" witch with a haggard grey face and decayed teeth.

Video still from Supernature (Preview 2 min)
Director: Lotte Meret Effinger
Camera: Melanie Jilg
Editor: Thomas Kühn
Music Composer: Florian Meyer
Poster 3D rendering: Marco Buetikofer

Sunday, July 1, 2018

Deliver Us From Evil


Sage Szkabarnicki-Stuart
Urban Stream
Photograph/Self Portrait
2018
Living Arts Centre Gallery, Mississauga
Group Exhibition: The Next Big Thing



Our Father, which art in heaven,
Hallowed be thy Name;
Thy kingdom come;
Thy will be done
on earth, as it is in heaven:
Give us this day our daily bread;
And forgive us our trespasses,
as we forgive those that trespass against us;
And lead us not into temptation,
But deliver us from evil:
For thine is the kingdom,
the power, and the glory,
For ever and ever.
Amen.

Friday, June 15, 2018

Exhibition Suggestion for the Art Gallery of Mississauga

Exhibition Suggestion for the Art Gallery of Mississauga:

Marina Abramovic: Performance Artist
Contact at the Marina Abramovic Institute


Marina Abramovic
Nude With Skeleton
Marina Abramović
Performance
16 minutes
2002
Belgrade


Dragon Heads
Marina Abramović
Performance, 7 flat screen projection
60 minutes
1990
DESCRIPTION

I sit motionless on a chair with 5 pythons placed on my body. The pythons, 3 to 4.5 m long, have not been fed for 2 weeks before the time of the performance. A circle of ice surrounds me. During the performance the snakes move around my body following my lines of energy.

Image and text source: Marina Abramovic


Marina Abramović has already planned her own funeral...

[I]n Sydney during her 12-day residency for Kaldor Public Art Projects, Abramović – in good health at 67 – read out her manifesto, concluding that “an artist should die consciously without fear” and that “the funeral is the artist’s last piece before leaving”.


“I want to have three Marinas,” she said when an audience member pushed her for details. “Of course, one is real and two fake because you can’t have three bodies. But I want these three Marinas buried in the three cities which I’ve lived [in] the longest, which is Belgrade, Amsterdam and New York.” Nobody would know where the real body was interred, she added.

Image and text source: Marina Abramović reveals plans for her funeral, 'the artist’s last piece'

Note: I have never heard of this woman despite having been "exposed" to such bloodletting "artists" during my Ryerson University studies (Carolee Schneemann).

I got the information on Marina Abramovic via The Tomato Bubble: New World Order/ World War II/ Conspiracy/ News
In the post: What's in Libtard Robert De Niro's Closet

Monday, May 21, 2018

"On Supernatural Evil"


Henry Gillard Glindoni (1852–1913)
John Dee Performing an Experiment before Elizabeth I
The scene depicted is set within the house at Mortlake of Dr John Dee (1527–1608). At the court of Queen Elizabeth I, Dee was revered for the range of his knowledge, which embraced the fields of mathematics, navigation, geography, alchemy and chemistry, medicine and optics. He was a Fellow of St John's College, Cambridge, and later one of the original Fellows of Trinity College (he declined a lecturing post at Oxford), and he had an international reputation. [Text Source]

On Supernatural Evil
Michael Martin
Posted on January 11, 2018
Angelico Press

"Dear children, keep yourselves from idols." ~ 1 John 5:21

Much of my scholarly work has been invested in a retrieval or at least recognition of the supernatural in a positive sense. Indeed, sophiology is a philosophical/theological discourse interested in the disclosure of the Glory of God in nature, the arts, liturgy, and the sciences (among other things). But not all of my work on the supernatural has been concerned with such an optimistic and beautiful milieu of creation. Not every encounter with the spiritual is tinged by grace.

In Literature and the Encounter with God in Post-Reformation England, for example, alongside John Donne, Sir Kenelm Digby, Thomas and Henry Vaughan, and Jane Lead - all concerned in one way or another with an experience of God marked by truth, beauty, and goodness - I explored the career of the Elizabethan magus and polymath (his was a multifarious genius) John Dee and the “Actions” (conversations) he had with spirits and took to be from God. In the chapter entitled “John Dee: Religious Experience and the Technology of Idolatry,” I argue that Dee, an occasional counselor to Elizabeth I, deluded himself into thinking the spirits with which he and his assistant, Edward Kelley, discoursed were of divine origin (they clearly were not) and that, even though he was in his essence a very good and pious man (if a little vain), he let himself be talked into the danger of mortal sin.

The sin in question was adultery. But not just any adultery. The primary spirit, identified as Madimi, in fact, ordered Dee and Kelley to swap wives. As I write in the chapter:
On 17 April 1587, a series of very bizarre Actions began which encouraged Dee to think he and Kelley were “above the law.” That day, Kelley reported, “I saw Madimi, Il, and many other that had dealed with us heretofore, but shewed themselves in very filthy order; and Uriel appeared, and justified all to be of God, and good.” In the crystal, Kelley saw a globe covered all over with writing. One message read, “Souls joined toward the better.” The session ended with a shocking pronouncement: “All sins before me in this are disregarded: having been made mad for my sake, he is wise: on the contrary, committing adultery on my account, he is blessed in eternity and he will be touched by a heavenly reward.” The injunction must have caused Dee and Kelley no little amount of anxiety.

The spirits appeared the next day en force, as Kelley reported: “There appeared Madimi, Il, and the rest.” The majority of the spirits, however, straightaway vanished, leaving Madimi alone. She at this point exhibited some uncharacteristic behavior. According to Kelley, “she openeth all her apparel, and her self all naked; and sheweth her shame also” which was definitely outside the norm, even for the Actions. The vision unsettled Kelley and a fascinating exchange between the physical and spiritual participants of the dialogue ensued:

E.K. Fie on thee, Devil avoid hence with this filthiness, &c.
Mad. In the name of God, why finde you fault with me?
∆. [ Dee identified himself by the Greek letter delta] Because of yesterdayes doings, and words are provocations to sin, and unmeet for any godly creature to use.
Mad. What is sin?
∆. To break the Commandment of God.
Mad. If the self-same God give you a new Commandment taking away the former form of sin which he limited by the Law, What remaineth then?
∆. If by the self-same God that gave the Law to Moses, and gave his New Covenant by Christ, who sealed it by his blood; and had witnesses very many, and his Apostles instructed by his holy Spirit, who admonished us of all cleanness in words and works, yea and in thoughts, if by the same God, whose former Laws and Doctrines be abrogated, and that sufficient proof and testimony may be had that it is the same God: Then must the same God be obeyed: For only God is the Lord of Lords, King of Kings, and Governour of all things.

Dee knew he was walking into tricky theological as well as legal territory, and we can see by his response to Madimi’s question that he knew he had to be completely clear about what was at issue. Madimi capitalized on his anxieties and avouched for the trustworthiness of her message: “The Apostle Paul abounded in carnal lust: he was also offensive unto his brethren so that he despaired, and was ready to have left his vocation, untill the Lord did say unto him, My mercy and grace sufficeth thee. Beleeve me, that we are from above.” Madimi was right, Dee would have agreed, God’s mercy should be enough (2 Corinthians 12: 9). Paul had transgressed the law in order to maintain the intergrity of his vocation, and Madimi commanded Dee to do the same:

Behold you are become free: Do that which most pleaseth you: For behold, your own reason riseth up against my wisdome.

Not content you are to be heires, but you would be Lords, yea Gods, yea Judgers of the heavens: Wherefore do even as you list, but if you forsake the way taught you from above, behold evil shall enterprise your senses, and abominations shal dwel before your eyes, as a recompence, unto such as you have done wrong unto: And your wives and children, shall be carried away before
your face.
This was rather a threat.

Even though Dee knew what the spirits were asking was against God’s mandates - he articulated as much - he nevertheless went along with the spirits’ demands, compromised as he was by the pride and promise of being God’s new messenger.

Most of us don’t compromise our principals as a result of direct communication from spirits. We have our culture for that. But that’s not to say that we aren’t led into these compromises by more indirect spiritual means.

Indeed, it doesn’t appear to me that we are appropriately aware of the presences of spiritual evil around us. The medieval period and Renaissance had precise taxonomies of the demonic realms: we have, in general, psychologizing or a sort of bland, generic affirmation that diabolical entities are “out there” somewhere. The cartoonish antics of SNL’s “The Church Lady” and The Temple of Satan aside, I think it’s as important to be cognizant of supernatural evil as it is to be aware of the sophianic glory that also abides in Creation.

My interest in Dee’s story was no doubt connected to my own experiences with supernatural evil and the temptation to sin and pride. In my early twenties, I spent months transcribing similar “actions” with spirits (the details of which I am not willing to divulge) and have heard first-hand accounts of similar experiences - that ended much more tragically - which took place under similar circumstances. Though at the time I had fallen away from the Church, I attribute my fortune in escaping total calamity to a persistent habit of saying the Our Father and the Hail Mary and the trust I placed in St. John’s admonishment to “test the spirits to see if they be from God” (1 John 4). I escaped not unscathed, but at least alive.

In recent years, I have found Rudolf Steiner’s conception of Lucifer and Ahriman very useful in diagnosing our own struggles with the Spirit of the Age. Though I disagree with Steiner on certain aspects of his Christology and the persistence of Blavatskian theosophy in his, especially earlier, work, I think he’s on to something with Lucifer and Ahriman.

For Steiner, Lucifer is the principle (or spiritual being) that tempts us with promises of “freedom,” the desire for self-expression, individualization, and an absolute creativity. Ahriman, on the other hand, is the principle (or spiritual being) that promises order and a kind of technological and corporatized efficiency that enslaves us to the subhuman, turns us effectively into machines. Between these two polarities, Steiner points to Christ as that principle which guides us through the perils of the promises made by Lucifer and Ahriman and helps us abide in the real.

When I look at our own culture, I can’t help but think that Lucifer (however one wants to understand the term) tempts us to a freedom of expression and selfhood that inevitably delivers us to Ahriman. That is, in order to “become who we really are” (or so we think) we turn to technology and scientific/medical interventions which enslave us to a lifetime of injections, prescriptions, surgeries, and technologies that inure us from the Real that inheres Creation. This is most obvious in some of the diabolical interventions foisted upon certain children in the name of freedom, but it also acts in subtle ways upon all of us.

Even though demonic possession as often depicted in film (The Exorcist, The Rite, Deliver Us from Evil, The Exorcism of Emily Rose) is certainly a reality, in general, the fallen angels work in much more invisible ways to lead us away from reality and, therefore, from Christ. It’s easier that way. I know this from experience. But, as St. John tells us, “We know also that the Son of God has come and has given us understanding, so that we may know him who is true. And we are in him who is true by being in his Son Jesus Christ. He is the true God and eternal life” (1 John 5:20).

A traditional protection against evil:
Let God arise, and let his enemies be scattered: and let them that hate him flee from before his face.
As smoke vanisheth, so let them vanish away: as wax melteth before the fire, so let the wicked perish at the presence of God.
(Psalm 67:2-3)


Michael Martin is a biodynamic farmer, philosopher, theologian, poet, and musician. He is the author of The Incarnation of the Poetic Word: Theological Essays on Poetry and Philosophy/Philosophical Essays on Poetry and Theology and The Submerged Reality: Sophiology and the Turn to a Poetic Metaphysics as well as other works. He edits Jesus the Imagination: A Journal of Spiritual Revolution and can be reached at mmartin@jesustheimagination.com