Showing posts with label Schools. Show all posts
Showing posts with label Schools. Show all posts

Saturday, July 14, 2018

"Les Anglais"



The contemporary thinking about foreigners turns them into moral, cultural or social issues, but downplays the most important one: actual logistics.

Foreigners are people who travel to lands which are not their own, with cultures and social structures different from theirs, with languages they don't speak or speak without the fluency of their own languages.

In less progressive eras, when a foreigner came to a country other than his own, he had to understand the country he came to and subjugate himself to these different circumstances, and behave accordingly. He would always remain a foreigner, however many years he has lived there, and however many obstacle tests he has passed (and with distinction even).

There was an intriguing and endearing time in my life in Paris.

When we just arrived, our apartment was in a neighborhood which had its own boulangerie, patisserie, cafe, tabac and all the other accoutrements of French neighborhood life. It was like a mini-village within the large city, as all Parisian residential neighborhoods are (our next neighbourhood was slightly more cosmopolitan being near the Tour Eiffel and the shopkeepers were friendly but too busy to ask for details, although they always greeted us familiarly).

I went to a French bilingual school for the first six months and later we went to the first of two boarding schools in England, in Kent.

We had always been English speakers, having had our elementary education in Addis Ababa at what was then called The English School. I was fluent in English at a very early age.

As is always the case, neighborhood merchants, especially those one frequents regularly and with a Mom & Pop management style, make an effort to know their clientele, and even their names.

This particular French boulanger and his wife would greet us in a familiar way and I'm sure, when we (the kids) no longer came accompanied by their mother, asked: "Ou sont les enfant?"

By then my mother knew some French and no doubt told them as best she could that we were at school in England.

This was an instinctive association by country. If this Arab-looking family sent their children to a pensionat in England, then they must be of the English cultural persuasion and therefore they are English. Most Arabs in France have a French - colonial - association, and they would have kept their children within the French culture.

On a side note, this was the argument - the debate - used to say that North Africans (Moroccans and Algerians mostly) were French because of this colonial past, and that the huge numbers of immigrant North Africans can live in France as Frenchmen. Of course Arabs feel differently: they ARE NOT Frenchmen!!! They would always be Arab.

Back to my Parisian neighbourhood. We became known as "Les Anglais!" The patriotic neighbourhood baker and his wife (his wife mostly because she was the one who ran the storefront and communicated with the customers) associated us with their perennial and historical antagonists, the English, those most foreign of foreigners!

But she loved us! Who wouldn't! This cute threesome, with their coats and hoods in the winter rushing to school early in the morning, or coming in for their favorite "Kim-Cone" ice cream in the summer which they bought with long-saved pennies, now going across the seas to learn things! How brave they are!

"Quand viennent-ils, les enfant?" she would ask my mother those long months when we were away.

But we always remained "Les Anglais."

Thursday, June 8, 2017

The Lesbian Vs. God and Other Stories


Hernandez (middle) performing Future Folk with her
Sulong Theatre Collective, which is a play based on:
"The experiences of Filipino women who come to Canada to work as nannies.
They send their wages back home, and hope after 24 months of employment
to become citizens and bring their own families to Canada."
[Source]
------------------------------------------------------------------------------------------------------------------------------------------

Our Neighborhood Filipina Story Teller portrayed in my recent post Catch Them When They're Young has quite a resume writing for "minors":
Kilt Pins
In a Catholic high school in Scarborough, Ontario, amidst low-income housing, difficult race relations, and poverty, a young woman struggles to find her sexual identity. In this sincere portrayal of high-school kids pitting the voice of God and thousands of years of scripture against the voice of their own bodies, Kilt Pins cheekily asks “Is your kilt pin up or down?”
Scarborough
Scarborough is a low-income, culturally diverse neighbourhood east of Toronto, the fourth largest city in North America; like many inner-city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighbourhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.

And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father’s mental illness; Sylvie, Bing’s best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.
And more on Arsenal Press
Arsenal Pulp Press is a book publisher in Vancouver, Canada with over 300 titles currently in print, which include literary fiction and nonfiction; cultural and gender studies; LGBT and multicultural literature; cookbooks, including vegan; alternative crafts; graphic novels; visual arts; and books in translation. We are interested in literature that engages and challenges readers, and which asks probing questions about the world around us.
Of course these welfare artists insist that they get their financial sources from tax payers money courtesy of the Canadian Government (don't let the meek word "suggests" deceive you):
Catherine Hernandez suggests several strategies to redress...deep-seated inequities: hiring more diverse teaching staff; educating teaching staff in anti-oppressive values; implementing a “much more aggressive diverse application process to ensure the student body is multicultural”; and diversifying the curriculum beyond the canonical (white) narratives that dominate it [Source].
Here is one such publisher which has produced Hernandez's children's book, that petitioned successfully to get LGBQT children's books into the school curriculum through the Toronto District School Board:
"Flamingo Rampant is a micro-press with a mission – to produce feminist, racially-diverse, LGBTQ positive children’s books. This is an effort to bring visibility and positivity to the reading landscape of children everywhere. We make books kids love that love them right back, bedtime stories for beautiful dreams, and books that make kids of all kinds say with pride : that kid’s just like me!" tells us the publisher
Hernandez has had a lot of practice with her own daughter who is now around thirteen years old. Hernandez appears to have been married to a male from whom she separated soon after her daughter's birth. She writes: "I parented Arden with little to no help from friends, family and my spouse at the time." She says that her children's book M is for Mustache: A Pride ABC Book was inspired by her daughter.
"Based on my many marches with my own child during what she called “Rainbow Time”, the book will follow in an ABC format, a small child as she gets ready to march alongside her mama at Pride.“


Previously-married-to-a-male Hernandez has a daughter now thirteen
Just shy of Arden’s 12th birthday, she approaches my partner, Nazbah, in the kitchen. “I’m so glad you’re my stepparent,” she says. Nazbah considers spearing a fork into their own heart in order to stop the tears of joy.[Source]

Monday, June 5, 2017

Catch Them While They're Young


M is for Mustache: A Pride ABC Book
Written by Catherine Hernandez
Illustrated By Marisa Firebaugh


The Friendly Neighborhood Lesbian Storyteller is coming to a gallery near you!

The Art Gallery of Mississauga hosts regular "story telling" session for toddlers.

Here is information on the upcoming session at the gallery's website:
AGM TOT SPOT!
with Guest Storyteller Catherine Hernandez
NEXT SESSION: FRIDAY, JUNE 16, 10 - 11 AM

Art Gallery of Mississauga | 300 City Centre Drive | FREE & Open to the Public

Monthly on Fridays, 10 - 11 AM, join us at the gallery for an hour of stories, movement and imagination!

Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner and the Artistic Director of b current performing arts. Her one-woman show, The Femme Playlist, premiered at Buddies in Bad Times Theatre as part of the afterRock Play Series, co-produced by b current, Eventual Ashes and Sulong Theatre. Her children’s book, M is for Mustache: A Pride ABC Book was published by Flamingo Rampant in 2015.
The AGM recommends 1 parent for every 2 children at Tot Spot!
Below is the accompanying image:



Listen to the animated lesbian-Filipina-Canadian story-teller Catherine Hernandez tell the tale of the girl with the 'stache.



From Hernandez' website:
Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner, burlesque performer, writer, the Artistic Director of Sulong Theatre Company and the owner of Out and About Home Daycare.
Yes: the owner of Out and About Home Daycare.

Here is is Hernandez performing The Boy and the Bindi by "transgender" "artist" Vivek Shraya (also an Art Gallery of Mississauga presenter).

And here she is in her pretty pink dress protesting Charlottetown Junior Public School's last minute cancellation of her book reading for preschoolers. This was her daughter's former school in Scarborough, a suburb of Toronto.



But your friendly neighborhood daycare story-teller isn't as pleasant as she looks.

" />
Catherine Hernandez: Ethnic Lesbian
Twitter prole photo


Nor as Canadian as she seems

Dancing at the Kapisanan Philippine Centre for Arts & Culture
#marriedanamerican should really be #marriedanamercanindian