Showing posts with label Homosexuality. Show all posts
Showing posts with label Homosexuality. Show all posts

Monday, November 19, 2018

Death Art at the AGM



The banner for Humza Mian's twitter page. Of course, as per the practice of 21st century artists, there is no reference to the image source.

@AGMengage
Nov 16
Want to beat the winter blues? Come warm up tomorrow, Sat 17th Nov 1-3:30 pm with @erumnazk @HumzaMian two LGBTQ artists from Mississauga who will be sharing their brilliance!
And more!
SOUTH ASIAN LGBTQ MEMBERS TO MARCH LOUD AND PROUD IN TORONTO’S 2018 PRIDE PARADE
Haran Vijayanathan (L) and Humza Mian (not partners) are both members of the South Asian LGBTQ community in Toronto. The two recently participated in a photo shoot directed and styled by Saira Hussain from Breath of Henna & The Sai Lens. The initiative was a joint collaboration with Must be Kismet Bridal Show & Magazine. Photo by Banga studios
Read the rest of the twitter theater here

Tuesday, September 18, 2018

Out


@AGMengage Sep 12

Hooray for Fay + Fluffy! Excitement is building for their visit to AGM Tot Spot on Fri. Sept. 21! Thanks @insauga f/ spreading the word. #mississauga #mississaugaarts #community #storytelling #reading #storytime #communityarts #LGBTQ #agmfirstnewnext #dragqueenstorytime ๐Ÿ˜๐ŸŒˆ⚡️

The nefarious Art Gallery of Mississauga is holding full-fisted to its "transgender" themed activities. Here are two that have been given the seat of honor at the "Tot Spot" storytelling program.

On Sunday (I believe this is significant, and I am getting subtle pointers these days showing me the spiritual significance of these episodes) at the Duke of York Boulevard (also significant, commemorating the British, Western heritage of Mississauga), just in front of the AGM (read below for more on this), I saw a tall "darkish" "person" (Indian - "East"?) wht grey-purple dyed hair styled in a short bob, with a long dark gray/black dress without much of a style (it looked khaki) and very flat ballet slippers (and the feet looked unusually small for the height hmmmm.....).

I found the whole get-up odd: partly the very tall height of the person; the very long masculine-looking hands (albeit skinny); the unattractive clothing (even contemporary legging-wearing overweight women attempt at some aesthetics: e.g. the leggings are from some trendy store); the stiffness of the person's walk (women walk with a bouncy gait even if they're tall and skinny); and the lack of communication between the person and "her" companion - an older woman who looked like she could have been the mother, and who seemed more to be more guiding "her" than walking with "her."

I walked around a bus stop to appear to be waiting for a bus, and stood before them to have a better look. I was right, this indeed was a "transgendered." "She" had a pained expression, perhaps due to illness. And was caked in makeup.

So now that the word is out that the AGM is a "gender friendly" "safe place," and also a multicultured h[e]aven for "transgendered of color," we will probably be seeing more of the Mississauga's so-inclined making their pilgrimage to the shrine. After all the AGM is now becoming a center for alternative religions, where Christianity is out (and maligned) and all others are in.

Monday, September 10, 2018

"...an opportunity to see that things that are different aren't scary"

From Today's Parent
Published on Aug 21, 2017
Meet JP Kane, a kindergarten teacher from Toronto who also performs in drag

The information below is provided on (and through) the Art Gallery of Mississauga Facebook page in preparation for JP Kane's ("Fay's") upcomng "story telling:"
Coming up on Friday, September 21! ๐ŸŒบ๐Ÿ‘€๐ŸŒˆ Be sure to join us for a not-to-be-missed hour of #storytelling and #FUN with our fab guests Fay and Fluffy's Storytime at AGM Tot Spot! A great time for kids and adults of all ages.[Source: AGM Facebook]

Screenshot from video below: "Meet JP Kane, a kindergarten teacher from Toronto who also performs in drag."

Quotes below of JP Kane's narration in the video:
I'm hoping what the kids get out of coming to story time is an opportunity to see that things that are different aren't scary.That things that are different are amazing.

[...]

When you think about it really, bringing drag performers together with little kids it's kind of a perfect relationship. And it's kind of like, drag performers are clowns, right. Like they really sort of. They play things up. They're over the top. They're, they're like a cartoon come to life?
Video: Meet JP Kane, a kindergarten teacher from Toronto who also performs in drag.

Thursday, August 30, 2018

Tots and Pederasts


Image from the Art Gallery of Mississauga's Facebook page

Event publisized on the AGM website: ‎Fay and Fluffy's Storytime at AGM Tot Spot:
Friday, September 21, 10:30-11:30 am
We are sooooo very excited for our next AGM Tot Spot! Join us on Friday, September 21 from 10:30 - 11:30 am for lotsa laughs through storytelling with our very special guests. Drag stars Fay Slift + Fluffy Soufflรฉ invite you and the kids in your life to a special event with books and fun! Fay & Fluffy's Storytime is great for kids and adults of all ages.
From Fay and Fluffy's website:
JP (Fay) + Kaleb (Fluffy) are both drag performers and experienced child educators. By day JP is an educator with the TDSB. Kaleb is currently an independent Cultural Producer, but is also a child care provider, has worked as a “manny” for years, and had his own home daycare called the Trail Mix Playgroup (cuz we’re a little nutty but we’re good for you). [Source: Fay and Fluffy's Storytime: Reading is FUN -damental]
From my series "Promoting Homosexuality as Multiculturalism"

Wednesday, August 1, 2018

Multicultural Lesbian Promotion


Multicultural Lesbian Promotion
Square One Mall Mississauga
[Photo By: KPA]


The board reads:
BONLOOK
Fashionable Eyewear
Opening in August
Hiring Now
squareonejobs@bonlook.com
BONLOOK.COM

Monday, July 23, 2018

At Urban Decay We're Made Involuntary Accomplices


The Urban Decay cosmetics store poster on its main window
At the "Luxury Wing" in the Square One Mall
[Photo By: KPA - July 2018]


This poster is in full view of shoppers and strollers, including families and young children, in the Square One, Mississauga, Shopping Centre.

What is a young girl (or boy) to make of this image of a white face (full face not visible) and a black face in such close proximity?

A Multicultural friendship?

Adults should realize that this is a sexualized image with the women's lips half open, which are, of course, "publicizing" Urban Decay's lip products.

And the ad makes us, the shoppers, involuntary accomplices in this behaviour, with the black model pointedly looking out at us.



Product Description:
Lips from the Lo-Fi lip mousse collection
Ready for modern matte lipstick that’s as chill as an afternoon record-shopping sesh? Whipped to airy perfection, Lo-Fi Lip Mousse is a weightless, buildable, waterproof lip color.

This matte lisptick provides high-impact waterproof lip color with a velvety soft finish that feels like you’re wearing nothing...[Source: Urban Decay Website]
Product Description:
Eyes from the Naked 4Some limited edition



From the Urban Decay website:
If you missed out on Naked: The Perfect 3Some Vault, you’re in luck. Naked 4Some ups the ante with FOUR of our coveted neutral palettes.

With a range of shades and finishes this huge, you’ll never run out of options. Go bronze with Naked (the palette that started it all). Channel a more taupe vibe with Naked2...[T]urn up the heat with the scorched neutrals in our newest Naked palette, Naked Heat...so you can get Naked whenever the urge strikes.

Wednesday, July 18, 2018

The Fate of the Queer



When I started to write this post, I misspelled "faith." The title should have read "The Faith of the Queer," instead of The Fath of the Queer." Although technically it wasn't my spelling error but the (now) limited functions of my keyboard.

Disclosure: my "i" and "k" on my keyboard don't work so I have to rely on my spellcheck to catch the errors. My spellcheck has filed as correct certain words like "wth" (perhaps because of frequent use and misspelling), and there's no red squiggly line to show that I've made a mistake.

Fortunately, I have a "screen keyboard" where I can just click in the missing letters. But when I rush through proofreading, I tend to pass over "wth" (and other words).

So.

When I titled this blog post as "The Fath of the Queer," meaning to write "The Faith of the Queer" I got of course a red squiggly line under "Fath." And when I resorted to spellcheck, I got "Fate."

And that makes for a perfect title for this post!


The Fate of the Queer

The Art Gallery of Mississauga is co-hosting an event in a neighborhood cafe. Here is what they have publicized on their "Facebook Events" page:
You’re Invited! Join us for a Critical Conversation on the intersections of faith and sexual and gender identities on Saturday, July 21st from 6:30-9:00pm at Studio.89, a barrier-free space with all-gendered washrooms. We’re proud to co-host this month’s Critical Conversation night with the Art Gallery of Misssauga and Queer, Trans, Black, Indigenous, People of Colour (QTBIPOC) Sauga. Our moderator will be no other than Anu Radha Verma.

[Note: the misspelling of "Mississauga" (highlighted in red above) was NOT my computer's error. The AGM with close to 1/2 a million in various (1, 2, 3) government government funds still cannot get its information up to par. I have a budget of ... ZERO]

Critical Conversations is one of Studio 89's FREE monthly events that engages the community and raises consciousness about critical issues that affect us locally and globally. We invite a panel of super knowledgeable folks to offer insight and facilitate our discussion. We want to celebrate Pride for our July Critical Conversation.

We’ve invited Panelists to share their stories about their religious, sexual, and gender identities. We can’t wait to see you! Please don't hesitate to email beawesome@studio89.org if you have any questions.
QUEERS of Fate: Christian, Muslim, Hindu, Buddhist, Pagan - COME ON OVER!

The ever-accommodating AGM, with its Barrier-Free Space | All Gender Washroom is inviting you all to come to a discussion on your FATE.

NOT TO BE MISSED!!!!

Friday, July 6, 2018

"There is something creepy - ugly and secretive - about a lesbian woman"

I blogged a couple of days ago about dresses teaching young girls to become feminine, heterosexual women. Normal, in other words.

Well here is what I saw the other day at my local Walmart.

A slim, tallish woman, with very short hair, was squatting in the furniture section looking at something on a shelf close to the ground. She was kind of hidden by all the merchandise around her, but she still was visible for someone coming around the corner.

Which is where I came from.

And there she was, legs spread out, with her long summer dress, which despite its length was designed with long splits that easily fall open. I presume this would be to let in some of the summer breeze in heatwaves like what we have now.

But I'm sure the dress isn't that modest even when she's standing, and the slits are deliberately designed to expose legs. But crouching the way she was, the dress flew open, exposing all her privates.

Perhaps she is a dancer and she's used to squatting like this. Her underwear was black and sturdy, not some flimsy lingerie-type thong. She looked kind of athletic.

Or she is a lesbian and is just waiting for some female to walk by and recognize her advances for some lesbian adventure in Walmart's basement, without being overtly pornographic about it. If someone confronted her, all she would have to say was that she was looking for something low down.

In any case, it was rather shocking. Imagine if a young girl (teen-aged and vulnerable) HAD seen her? The prowlers of iniquity are everywhere now. And they have the full support of the media: advertisements, commercials, news, sitcoms, movies, magazines, books, libraries. The world is now a smorgasbord of lesbian sex. Take your pick.

But still she has to be cautious. Parents still (always) want their children to grow up to be heterosexual. The real percentage of "out" homosexuals is still minuscule. Films and sitcoms present gay characters as though they are battling some societal taboo: that they are not normal.

So lesbians who prowl in mall basements need to cover their moves with pretend shelf browsing.

Also, she probably saw me and was posing for my benefit. I am old enough to know better.

It was disconcerting for a minute. I went back again to make sure I saw what I saw, which was indeed what I saw.

I walked slowly away. A little further on, I made the sign of the cross: "Protect me, Lord, from the evil around me."

I have strength from prayer and the protection of God. What will that young girl, full of the glossed-over imagery of lesbian sex, have to protect her?


Glamming Up Lesbianism at the Urban Decay cosmetics store
Square One Shopping Centre
[Photo By: KPA]

I've labeled this post "Reclaiming Beauty." Beauty is in the definition of the sexes, their specific roles and their behaviour following God's command.

There is something creepy - ugly and secretive - about a lesbian woman. This particular one's furtive behaviour shows that she is following Satan's command to disrupt and dismantle our world: to destroy the feminine and replace it with some undefinable creature instead.

Monday, July 2, 2018

Queer for Canada


Stephanie Wu
[Image Source: Wu_Stephanie Instagram]


The Art Gallery of Mississauga spent Canada Day making "protest posters" with "queer identified" Chinese-"Canadian" community shaker-upper and "artist" Stephanie Wu:
spent today making prints
and posters with families and little ones to
protest for changes we want to see in our
communities. the theme was "what's
consider to be an emergency in your
communities?" and since it was on
canada day, some folks made ones about the
emergency of ongoing colonialism on
turtle island. another favourite includes, "be a
buddy, not a bully" and here are a
few samples made for the workshop. thank u
to the 100+ folks that shared their thoughts and
made relief prints with us and to @agmengage for having me ๐ŸŒฟ
nawkadnileb๐Ÿ˜๐Ÿ˜๐Ÿ˜
sabsrizviart❤❤ [Text source: Wu_Stephanie Instagram]
The Art Gallery of Mississauga's (twitter page had the following message with the accompanying image:
@AGMengage
21h21 hours ago

TODAY! See our #summer #exhibitions – the #gallery's open 12-4 AND we'll be making #posters in Passion! Protest! Posters! w/ #artist Stephanie Wu on Princess Royal Dr. 12-6. #mississauga #mississaugaart #communityarts #cdnart #artmaking #artsandculture #artnews #agmfirstnewnext

Wu: Queer Quolor:


Stephanie Wu
Installation view of We Met Online: Finding Each Other,
Exhibited at The Khyber Centre for the Arts, 2017
mage Source: Visual Arts News Canada

WU: The White Ally Gloves is a critique on white folks that claim they are allies but aren’t willing to do the work. The idea of the gloves is that they can take them off whenever they believe they have contributed enough. They have the choice to not do anything while benefiting off of the systems QTPOCs live in. The Chinese character on the glove says “love” and it comments on white allies using “love” as an excuse to silence the urgency and anger of queer, trans, black, indigenous, people of colour experiences. I believe that allyship plays an important role in dismantling the oppressive structures we live in. But often times, I see white queer folks put “ally” on their dating profile or social media as if it’s a badge of honour. These are some things I believe are important in QTPOC allyship:
[Source: Neon Defiance: Wu interview on Visual Arts News Canada]
More on Wu here, here and here.

Saturday, June 23, 2018

The Gay Gay Gay Shades of Summer



It's a gay gay gay summer, tell us those stacked chairs where the original four muskokas had more poetry and better design.


The previous Muskoka chairs in summer version of the Holt window display,
removed and replaced when "Pride" started to take over


[All Photos By: KPA]

Now all we see is the promiscuity.

But it is Pride Week after all, and we must CELEBRATE!



About a week ago, I posted the above image as a prelude to summer.

A couple of days ago, I went into the Holt department store and asked about the store designer who put together the window display.

A young woman told me that she did it, although she was following directions from "head office."

"You still have to interpret the guidelines. It looks great!" I encouraged her.

Then I had some kind of brainwave and asked if I could see the store's managers. I wanted to ask if I could somehow be involved in window display designs. That way, I can ask about this particular one without being too "inquisitive."

I went to the "customer service" post and asked the staff there to see a manager, who asked if he could help me.

"Well, I have some questions."

"Could you give me some idea of your question?" persisted the customer service assistant (a Chinese man with bleached blonde hair with dark roots showing - that is the pseudo-appropriation of white identity that is now common amongst non-white youth).

"Well, I have a design background. I would like to know if I could be involved in helping the design of future window displays."

"You can apply online and post your resume."

That was exactly what I was trying to avoid. I didn't want to work at Holt at all. Imagine my altercations with "rich" "foreigners" who have no real idea of the value, cultural specifically, of the goods they're buying.

"Oh yes. But could I still see a manager? It makes it easier to see if I qualify."

The man tapped his fingers somewhat aggressively on the counter. He thought a little. Then dialed a number.

Eventually a woman came down. She was short and stout and in her mid-forties. She also looked half black and half white. She was dressed in a black baggy get-up which did not fit with the colorful designer clothes she walked by.

To make a longer story short(er), the woman was just about to give me the email address of the Head Office honchos who direct the "visual look" of the store. Perhaps my insistence threw her off and she said: "It is better if you give me your phone number." I don't blame her. I would have done the same.

"Oh. OK. But I will give you my email. That is easier for me to communicate." (And I will also have a record of the transactions (or not) - although I didn't say this).

I added: "I have a design and photography background, graphic design, websites. But I also have textile design training and I can visualize things three dimensionally. I think that is helpful for window displays."

"Oh. Yes."

Me: "But could you show me if the theme of bright summer colors are a Canadiana theme with the Muskoka chairs?"

Manageress: "Well you know this has to do wth pride don't you?"

Me: "The whole display concept?"

Manageress: "Well it started off as a prelude to summer. But now it is merging with Pride Week."

Me: "Oh. I see!"

I didn't see that coming!!!

Me: "What exactly is "Pride? Is it to do with Multiculturalism?" I played the innocent.

Manageress: "No. It is Pride Week. There is a big Pride Month going on in Toronto and we wanted to be a part of it."

"Of course! The homosexual parades. Harry Rosen is also doing the same thing with their windows! And Simons too! I asked the young man at Harry Rosen what "Pride" meant and he said he didn't know!"

(I really did ask and he really did say "I don't know," as in "I have nothing to do with this!!!")

Then something clicked. This woman is a lesbian!!! The scorn for feminine beauty was apparent in her dark and shapeless garb; her obesity; her lack of any kind of decoration - no makeup, no jewelry.

And she had a long-developed instinct for potential "homophobia." And was intelligent too, able to gauge things in an instant. I could see why she was a manager.

She laughed at my anecdote. "We have nothing to do with the other stores."

She understood that people don't want to be associated with all this. And hence the clever and subversive ways in which she (they) lure the public.

I thanked her and left. I had given her my full name and my Reclaiming Beauty email address. I do that because it takes too much energy to sort out all my various pseudonyms. And plus my battle is now out in the open.

I haven't heard from anyone at Holts, head office or otherwise. I am sure this manager looked me up and saw my various profiles and my many blog posts, and never sent the communication.

Good!!! I am at least as clever as she is! I found out something I wouldn't have known, which is:

The Canadian landscape, which I blogged about here, was readily converted into a "Pride" canvass. " We're Proud to be Canadian!" they tell us.

And "We're all in it together!"

But no, we're not, all in this together!"

Sunday, June 3, 2018

Sunday Post: Smoking Out the Heavy Sinners

1 Corinthians 6:9
Know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with mankind



OK, it is Sunday and I try to refrain from blogging on matters not related to Sunday.

But who said that humor (or laughter) was not allowed on a Sunday?

Here is Alt Right Duke Richard Spencer in an existential mood, according to MAGA DOG (which of course Spencer promptly "retweeted.")

Maybe it has to do with him moving in with his mother after his fame and wealth whittled away.

Or that his Russian spy "wife" (who COULD be a man given Spencer's history) is not around to console him (either way...). See here for more (Part Dvah).

Or that he owes a lot of money and cannot even come up with the payment for a lawyer to get him out of some situation which could just be a scam for cash.

Here is some moral support on twitter for his Morrissey pose:

BringBalanceNow ⚖️
‏Replying to @MAGA_DOG_2020 @RichardBSpencer
Morrissey.

@SexyCentrist
Replying to @MAGA_DOG_2020 @RichardBSpencer
fat?

Yes, Morrissey is a pretty good resemblance, LOL. He's the homosexual "New Wave" pop star who sang "Girlfriend in a Coma" in the 1980s with his band The Smiths. A comatose girlfriend is perfect for The Gays. That was before I was fine tuned to smoking out homosexuals, and liked his music (I had the cassette).

Tuesday, April 24, 2018

My Beloved Lion: Ambushed


Bruce Eves
Becoming Visible: The Spirit of Stonewall, 1994
Photo, 22.86 cm x 30.48 cm.
New York Public Library collection


The above image is from the group of selected works on the 2018 Governor General’s Awards in Visual and Media Arts webpage.

I guess one strategy for getting a chance at selection for a Governor General’s Awards in Visual and Media Arts is a "message." Well I would think that my America (Americas) theme aided by my Reclaiming Beaut has it all.

No! You also need the pink triangle. Or any "other" label.
“Bruce Eves has a restless mind. His commitment to the rigor of historical research – whether art history, gay history, or his own personal history – has been at the core of his work across his 40-year career. Through performance, curatorial, installation, archival and photo-based projects, he has produced a remarkably prolific body of work that exhibits a logical growth and development without falling into the trap of easy repetition.

That Eves has been able to wrestle with the challenges and traumas he has encountered, and found within them the seeds of art, illustrates his vitality as an artist and his ability to fashion artistic assertions from his own lived experiences. This echoes what philosopher Mary Warnock would insist ‘operates under perpetual tension: the only way to cope with life is to learn what to forget; the only way to feel one has an identity is to remember.’”

- Lily Eng, performance artist (nominator)
My beloved lion at the New York Public Library, whom I have photographed so many times, gets ambushed by this year's GG Winner.

You pick.


Kidist Paulos Asrat
Fortitude: Lion by the New York Public Library, 2017
Photo








Saturday, January 27, 2018

"Love of the Divine"



This woman showed up on my LinkedIn page. I had forgotten about her.

But Irshad Manji is still very much around.

And she got "married"!



Does Islam allow lesbian coupling (let alone marriage)?

Apparently so, on both counts. Manji though, is not a Muslim but "believes" in the "Divine."

She tell us on her "wedding" Facebook page:
On Irshad’s left arm is her devoutly Muslim uncle, Massum. On Irshad’s right arm is her secular Jewish friend (and the guy who introduced her to Laura), Jim. In case you’re wondering, Laura grew up atheist, still takes issue with organized religion, but has come to believe in a higher power. Their shared love of the Divine is a core bond between Irshad and Laura.
Manji introduces us to the man in the photo below as: "The robed dude officiating this wedding is a judge from Los Angeles." The other two are her mother and her now "wife" Laura J. Albano.


Manji's mother reading from the Koran

And who is Laura J. Albano?

Well she started off as a "cosmetic tattoo artist" and acquaintance with a medical doctor led her to their conversations that "...my skills might benefit reconstructive patients. That is how it all began in 2003 when Dr. asked me to join his staff." [Source: Her Tattoos Mae a Psyche Difference]

Above is Manji's mother reading a verse from the Koran during Manji's and Albano's "coupling ceremony."

Says Manji of her suffering mother (who nonetheless broke from Islamic theology and "blessed" the "wedding":
"Although my faithfully Muslim mother still cringes at the thought of what ‘other people’ will say about her daughter being formally married to a woman, Mumtaz is first and last a mum.

Which means she wants only happiness for her children. And that’s precisely what I have with Laura - utter bliss" [Source].
There's that word again: bliss.

Tuesday, November 7, 2017

More on the Creep Harvey Weinstein

Of course the pathetic actresses also whored themselves to this man are also to blame. Who lets any "unknown" man into one's room?



From James Perloff's tweet.

Feminists are the biggest cry-babies. When the going gets tough they scream "RAPE!!!!!"

Well the sad part is that these neophyte Hollywood actresses are hardly feminists. They are simply stooges, manipulated by bitter, hard-hearted, anti-men women who are mostly lesbians or lesbian-wanna-bes.

Friday, November 3, 2017

Catherine Hernandez: The Lesbian Vs. God and Other Stories, Redux



I posted on Catherine Hernandez, the married lesbian Asian with one daughter from a former marriage to a white Canadian (man), about six months ago: Catch Them While They're Young, and Catherine Hernandez: The Lesbian Vs. God and Other Stories.

The Art Gallery of Mississauga hosted regular "story telling" sessions where she read her feminist/gay-sensitive story book M is for Mustache: A Pride ABC Book to toddlers. The AGM advertised her 2015 sessions thus:
AGM TOT SPOT!
with Guest Storyteller Catherine Hernandez
NEXT SESSION: FRIDAY, JUNE 16, 10 - 11 AM

Art Gallery of Mississauga | 300 City Centre Drive | FREE & Open to the Public

Monthly on Fridays, 10 - 11 AM, join us at the gallery for an hour of stories, movement and imagination!

Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner and the Artistic Director of b current performing arts. Her one-woman show, The Femme Playlist, premiered at Buddies in Bad Times Theatre as part of the afterRock Play Series, co-produced by b current, Eventual Ashes and Sulong Theatre. Her children’s book, M is for Mustache: A Pride ABC Book was published by Flamingo Rampant in 2015.
The AGM recommends 1 parent for every 2 children at Tot Spot!
Hernandez maintained her lesbian performance art theater through her salary from a "home"-based day care, as well as, of course, with multitudes of government grants for her books and theatrical performances. Her daycare was also run on government funds.

Here is one example of a $10,000 grant for a Playwright Residency in which she participated through funding from the Ontario Arts Council.

And she was a co-winner of the Emerging Writers Award in 2015 with her manuscript Scarborough, a book on the Toronto suburban town of Scarborough where she has lived for most of her life. The award is presented by
The Asian Canadian Writers' Workshop Society (ACWW).
the Emerging Writer Award (EWA) was established in 1999 to help authors of Pacific Rim Asian heritage be published with an established publishing house [Source].
The Society is a not for profit organization and is governed by a board of directors and executive team.

More about the ACWW:
The Asian Canadian Writers’ Workshop (ACWW) began as a writing collective in the early 1960s, by dedicated Asian Canadian writers: Rick Shiomi (playwright), Sky Lee (novelist), Paul Yee (children’s author), Jim Wong-Chu (poet) and Sean Gunn (poet). In 1995, ACWW was incorporated as a non-profit society which started publishing Ricepaper Magazine, originally as a newsletter to showcase the work of emerging Asian Canadian writers is now a nationally recognized web-based magazine with a global audience.
And the purpose of the Society is:
- to organize, sponsor, stage and otherwise promote cultural arts activities and events including festivals, presentations, demonstrations, exhibits, workshops and seminars involving Pacific Rim Asian Canadian literary arts, themes and interests conducted in the English language;

- to encourage public appreciation of the above through educational activities including cultural exchange and scholarship

- to foster public appreciation, awareness and community development through cultural events.
On Catherine Hernandez:
The ACWW is so proud to see Catherine Hernandez complete her first novel...The novel's name is a tribute to the community of Scarborough, a low-income, culturally diverse neighbourhood east of Toronto, which is also the fourth largest city in North America. Like many inner-city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighbourhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.
Hernandez' book Scarborough is newly released in 2017 by Arsenal Pulp Press, with a cover photo by Matthew Henry.



There is no way to verify where photo was taken, or even if it is a station in Scarborough. It might be Victoria Park station from the white tiles, which is a a stop before the Warden station where Hernandez stands posing in the photo below. Or a station in New York.



And there is no title for the photo. It is a major error for a book which purports to be "site specific" to have an unidentified picture on its cover page. But it is the usual generic and slack attitude of multi-cultists who are simply out to set an agenda rather then expose truth through accuracy. A little black girl running in an empty subway station stands for all those little brown and yellow girls abused by The System.

Hernandez' book sale went so well that she has abandoned her subsidized child care "small business" for the bigger bucks of a multicultural minor literary celebrity. Scarborough was a finalist in the 2017 Toronto Book Awards, but did not win.

She discusses all this on Steve Paiken's "The Agenda" program on TV Ontario on Wednesday.

The full interview is here, but what is outstanding is her presentation of herself.

On her easily google searchable website (the web address is her own name), she has her S&M Lesbian pose for all to see, as well as pornographic poses in other (easily viewable) websites.

But in more "polite" society (such as TVO) she presents herself as the convivial Filipina single mother (she calls herself a "single mother"). Although she can't help expose her tattooed cleavage.


Screenshot from TVO interview, Tuesday November 1 2017

Now that her book is published and she'll be done with the tours and interviews, she has a new project ready for the public:


“It is so refreshing to see a woman celebrate her sexuality on stage while actively resisting the oppressive gazes that would objectify her doing so.” —Jeremy Gardiner, Mooney on Theatre
Hernandez has her own company, amongst other projects, a theatre company she calls "b current", whose financial information is as follows:



62%, or a whopping 2/3, of b current's budget is from government sources. And this is for her company. We have no information on her other financial sources for her own artistic practices.

Here is the 2016/2017 season schedule for b current, which Hernandez calls A Season of Rebirth:
Trace
Nov 16 -Dec 3
Factory Studio Theatre
by Jeff Ho
trace follows three generations of mother and son from the Japanese occupation of Hong Kong to Canada in the 21st Century. Combining virtuosic original piano compositions with an incredible performance, and a lyrical text, this exquisite and stimulating one man chamber play offers a new look into what we give up to thrive under duress.
Take D Milk, Nah?
Apr 12-22 2018
Theatre Passe Muraille Backspace
A Pandemic Theatre and b current performing arts Co-Production with the support of Theatre Passe Muraille
Written and Performed by Jivesh Parasram
Directed by Tom Arthur Davis
Dramaturgy by Graham Isador
Jiv is “Canadian.” And “Indian.” And “Hindu.” And “West Indian.” “Trinidadian” too. Or maybe he’s just colonized. In Take d Milk, Nah?Parasram blends personal storytelling, ritual, and academic lecture to walk an audience through the Hin-do’s and Hin-don’ts at the intersections of these cultures. The show is a refreshingly candid and delightfully funny look at race, religion and nationalism(s): What divides us – and what we’re willing to accept in the desire to belong. Oh, and there’s a cow.
Generously funded in part by the Wuchien Michael Than Foundation​
Rock, Paper, Sistahz Development Series
Ongoing
rock.paper.sistahz festival has been reimagined into an in-depth development series where curated artists are invited to explore, play and present their work throughout the season, all within our newly renovated 50 seat studio theatre.

This year's works in residence are:
OUR FATHERS, SONS, LOVERS AND LITTLE BROTHERS​
Written and Performed by Makambe K Simamba
Directed and Dramaturged by Audrey Dwyer
February 26, 2012, Florida. A 17 year old black boy wearing a hoodie leaves a 7/11 carrying a bag of Skittles and an iced tea. He never makes it home. Our Fathers, Sons, Lovers and Little Brothers invites us to enter the world of an infamous teen, relive his last moments, and face the intricacy of his dance into the afterlife. Makambe's residency is supported in part by Alberta Theatre Projects in Calgary where she is a member of the ATP Playwrights Unit.
Bite Hard: The Justin Chin Project
The Bite Hard Collective consists of: Jasmine Chen, Jeff Ho, Michael Man and Jonathan Tan
Bite Hard: The Justin Chin Project is a no holds barred performative exploration of queerness, love, sex, culture clashing and community, through piano and poetry. One of the first slam poets in America, Justin Chin was a force to be reckoned with. His performance style was uncensored, unapologetic and startlingly unique. Before his death in 2015, Chin was a poet who gave voice to his own intersectional identity, which served as his lens on the world. In his poetry, one-man shows and essays, he had the deft skill of delivering searing anger through sharp wit and cynicism.

The Bite Hard Collective seeks to use Justin’s writing as a launching pad to explore the intersectionality of Queer and Asian identities. Inspiring piano composition and spoken text, the collective will examine the complexities of this intersection and how it affects all aspects of life: family, religion, relationships, social status, body image, discrimination, etc. It is largely felt that the Queer lens in Canada is by default a White lens. White is accepted as ‘neutral’ in the gay community and Asianness exists outside of the dominant narrative. The intersection of Queer and Asian can sometimes feel like a violent collision; where two cultures often fail to accept or make room for the other. Yet, there is the popularized term ‘Gaysian’ - a loaded word that for some people is a reclamation and for others is an ill-fitted label. Bite Hard is a wild debate, a subversion, a piano-drag-burlesque, and a celebration of Asian Queerness.
Hernandez grandiosely tells us on her b current website:
b current is the hotbed for culturally-rooted theatre development in Toronto. Originally founded as a place for black artists to create, nurture, and present their new works, our company has grown to support artists from all diasporas. We strived over two decades to create space for diverse voices to be heard, always with a focus on engaging the communities from which our stories emerge. As a result, these communities hold our company in trust and respect the work that we do. Whether our audiences identify with our work through ethnic experience, social values, or political awareness, these groups are loyal to our programming because they recognize the high level of cultural authenticity and integrity we foster in our artists and their works.
So perhaps there lies the root behind the photograph of a black girl on the cover of Scarborough: to carry on the legacy she feels she's been left by her black neighbors in Scarborough, and her fellow black artists in Toronto. It is a condescending look at race: blacks are the most oppressed and therefore we (browns) have to stand in solidarity with them.

Her October 25, 2017 twitter message explains:



So there you have it, a post-modern, multicultural, brown, Asian, post-gender Canadian, with a pretty nice governmental financial package.

Friday, June 30, 2017

Mississauga Pride


Simons' website has this image on one of its pages.

The Square One Shopping Centre has declined the pride invasion. There is nothing in the mall except for a couple of stores. Nothing explicit that is. The largely Third World multicultural population is not yet ready for such postmodern declarations as "Gay Pride Week." Go to Toronto and that's a whole other story. Toronto's news media were having a blast :-) covering the story. We got image after image of decadent men gyrating through Yonge Street.

Mississauga had no pride manifestations on its usual festival site - Celebration Square? What? There's nothing to celebrate?

But hidden amongst the cacophony of merchandise in the region's largest mall, right next to Celebration Square, there were a couple of stores which held their own, despite their discreet proclamation.

I took a photo of both. But their websites were happy to assist.


Simons front store window in the Mississauga's Square One
[Photo By: KPA]


Simons (a Montreal store) gives us its "Djembe Collection," for drum beats picking up on those rhythms.

Simons is big on bi.









The four images above are from Simons' website.

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Urban Outfitters has a whole theme around gayness, or bi-ness to be precise.


Happy Pride: Square One Mississauga's Urban Outfitters store
[Photo By: KPA]


Their Square One poster featured Taylor Bennett who is profiled thus:
With June being Pride month, Urban Outfitters is releasing their UO Pride Collection benefitting GLSEN and featuring Chance the Rapper’s younger brother Taylor Bennett. The collection that sees a range of T-shirts, baseball hats, a tapestry and more comes in colors that embody the LGBTQ community. Prices range from $24 – $39 USD and 100% of all the profits from the items sold will be donated to GLSEN, an organization who’s mission is to ensure a safe environment for LGBTQ students in schools. The Pride collection is now available for purchase at Urban Outfitters and online.

The Chicago hip-hop artist, who came out as bisexual at the beginning of the year, has had nothing but success in his career stating that, “Honesty and being yourself is something that I believe should always be celebrated, whether it’s in hip-hop or everyday life.” On his collaboration with UO, “As an independent artist and entrepreneur, it’s great to find partners like Urban Outfitters who share that core value of recognizing individuality during Pride Month and throughout the year.”


Square One Mall in Mississauga with a couple of discreet Taylor Bennett posters
[Photo By: KPA]


UO is also into all variations of bi:








[All above images from various Urban Outfitters sites)


“Honesty and being yourself is something that I believe should always be celebrated"


Thursday, June 8, 2017

The Lesbian Vs. God and Other Stories


Hernandez (middle) performing Future Folk with her
Sulong Theatre Collective, which is a play based on:
"The experiences of Filipino women who come to Canada to work as nannies.
They send their wages back home, and hope after 24 months of employment
to become citizens and bring their own families to Canada."
[Source]
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Our Neighborhood Filipina Story Teller portrayed in my recent post Catch Them When They're Young has quite a resume writing for "minors":
Kilt Pins
In a Catholic high school in Scarborough, Ontario, amidst low-income housing, difficult race relations, and poverty, a young woman struggles to find her sexual identity. In this sincere portrayal of high-school kids pitting the voice of God and thousands of years of scripture against the voice of their own bodies, Kilt Pins cheekily asks “Is your kilt pin up or down?”
Scarborough
Scarborough is a low-income, culturally diverse neighbourhood east of Toronto, the fourth largest city in North America; like many inner-city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighbourhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.

And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father’s mental illness; Sylvie, Bing’s best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.
And more on Arsenal Press
Arsenal Pulp Press is a book publisher in Vancouver, Canada with over 300 titles currently in print, which include literary fiction and nonfiction; cultural and gender studies; LGBT and multicultural literature; cookbooks, including vegan; alternative crafts; graphic novels; visual arts; and books in translation. We are interested in literature that engages and challenges readers, and which asks probing questions about the world around us.
Of course these welfare artists insist that they get their financial sources from tax payers money courtesy of the Canadian Government (don't let the meek word "suggests" deceive you):
Catherine Hernandez suggests several strategies to redress...deep-seated inequities: hiring more diverse teaching staff; educating teaching staff in anti-oppressive values; implementing a “much more aggressive diverse application process to ensure the student body is multicultural”; and diversifying the curriculum beyond the canonical (white) narratives that dominate it [Source].
Here is one such publisher which has produced Hernandez's children's book, that petitioned successfully to get LGBQT children's books into the school curriculum through the Toronto District School Board:
"Flamingo Rampant is a micro-press with a mission – to produce feminist, racially-diverse, LGBTQ positive children’s books. This is an effort to bring visibility and positivity to the reading landscape of children everywhere. We make books kids love that love them right back, bedtime stories for beautiful dreams, and books that make kids of all kinds say with pride : that kid’s just like me!" tells us the publisher
Hernandez has had a lot of practice with her own daughter who is now around thirteen years old. Hernandez appears to have been married to a male from whom she separated soon after her daughter's birth. She writes: "I parented Arden with little to no help from friends, family and my spouse at the time." She says that her children's book M is for Mustache: A Pride ABC Book was inspired by her daughter.
"Based on my many marches with my own child during what she called “Rainbow Time”, the book will follow in an ABC format, a small child as she gets ready to march alongside her mama at Pride.“


Previously-married-to-a-male Hernandez has a daughter now thirteen
Just shy of Arden’s 12th birthday, she approaches my partner, Nazbah, in the kitchen. “I’m so glad you’re my stepparent,” she says. Nazbah considers spearing a fork into their own heart in order to stop the tears of joy.[Source]

Monday, June 5, 2017

Catch Them While They're Young


M is for Mustache: A Pride ABC Book
Written by Catherine Hernandez
Illustrated By Marisa Firebaugh


The Friendly Neighborhood Lesbian Storyteller is coming to a gallery near you!

The Art Gallery of Mississauga hosts regular "story telling" session for toddlers.

Here is information on the upcoming session at the gallery's website:
AGM TOT SPOT!
with Guest Storyteller Catherine Hernandez
NEXT SESSION: FRIDAY, JUNE 16, 10 - 11 AM

Art Gallery of Mississauga | 300 City Centre Drive | FREE & Open to the Public

Monthly on Fridays, 10 - 11 AM, join us at the gallery for an hour of stories, movement and imagination!

Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner and the Artistic Director of b current performing arts. Her one-woman show, The Femme Playlist, premiered at Buddies in Bad Times Theatre as part of the afterRock Play Series, co-produced by b current, Eventual Ashes and Sulong Theatre. Her children’s book, M is for Mustache: A Pride ABC Book was published by Flamingo Rampant in 2015.
The AGM recommends 1 parent for every 2 children at Tot Spot!
Below is the accompanying image:



Listen to the animated lesbian-Filipina-Canadian story-teller Catherine Hernandez tell the tale of the girl with the 'stache.



From Hernandez' website:
Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner, burlesque performer, writer, the Artistic Director of Sulong Theatre Company and the owner of Out and About Home Daycare.
Yes: the owner of Out and About Home Daycare.

Here is is Hernandez performing The Boy and the Bindi by "transgender" "artist" Vivek Shraya (also an Art Gallery of Mississauga presenter).

And here she is in her pretty pink dress protesting Charlottetown Junior Public School's last minute cancellation of her book reading for preschoolers. This was her daughter's former school in Scarborough, a suburb of Toronto.



But your friendly neighborhood daycare story-teller isn't as pleasant as she looks.

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Catherine Hernandez: Ethnic Lesbian
Twitter prole photo


Nor as Canadian as she seems

Dancing at the Kapisanan Philippine Centre for Arts & Culture
#marriedanamerican should really be #marriedanamercanindian