Showing posts with label Dance. Show all posts
Showing posts with label Dance. Show all posts

Saturday, December 29, 2018

From Nothing to Hip-hop



"And those who were seen dancing were thought to be insane by those who could not hear the music" Friedrich Nietzsche

Below is a recent encounter I recently had with a young boy at the Square One Mall Food Court in Mississauga. And below that, I re-post another encounter I had with a young man at the nearby Jubilee Garden, near the mall, about two years ago.


I inadvertently sat next to a young white boy (about ten or eleven years old) in the busy Square One Food Court (where I hardly ever sit down and just pass through for a short cut or to quickly get french fries or some such snack).

This time I sat down with a Starbucks coffee.

When I first found a seat in the food court, there was a man eating some kind of greasy hamburger type meal with a heavy smell right diagonal to me.

I got up and moved across to the other side. While doing so, I didn't see that a young boy was sitting across (diagonal again!) just finishing off some meal. He was so quiet and silent.

After I added the sugar to my coffee, I looked up and around, and saw him there watching me. I smiled at him and continued drinking my coffee, in a hurry to be off.

Then it was my turn to watch him.

"Are you here by yourself?" I gently asked this boy, who bravely sat amidst this sea of black, brown and yellow faces, looking like an angelic apparition, like a visitor from another world. He had slightly wavy gold blond hair.

"Well my Mom was supposed to meet me here. But she's not here," he replied with a slight tone of irritation to his voice, barely audible. He didn't want to sound like he was complaining.

It was a Saturday afternoon so I intuited that he must be doing some kind of "extracurricular activity," and probably a sport.

"Are you getting ready for a match or something?"

"No. But I'm in a competition later on this afternoon."

"What kind?"

"Hip-hop."

I was a little taken aback. I didn't expect that.

But why not? The boy looked like a younger, much blonder, Justin Bieber, the star who's won all the accolades with his reinvention of the black dance style.

"So are you going to win?" I teased him.

"Of course!" he replied putting on his fighting front. He wasn't gong to let me get away with it.

By then, I was ready to leave.

I put a thumbs up and smiled "Good Luck."

"Thank you," he replies, once again alone, and waiting for his mother.

I intuitively refrained from telling him "what to do."

Like, for example: "Join a ballet class." Or "Find a modern dance program."

But let him find out for himself, the hard way. That way it will have true meaning for him, when he realizes the artistic limitations of hip hop.



Reclaiming Beauty
Sunday, October 16, 2016
Nothing

I was by the lovey Jubilee Garden in Mississauga when I saw a young man moving gracefully. At first it looked like he was doing some kind of stretching exercise, but he was moving to some inner rhythm. He was not a dancer (I didn't think so) but he was graceful.

"Are you an artist?"

"No."

"What do you do?"

"Nothing."

"Oh. What did you study?" I've met before another young man who told me he had recently been a student at the nearby Sheridan College and was going on with more school since he couldn't find work.

"Philosophy," said this young man.

"You're a philosopher!" I concluded, pointing my finger at him telling him off for his lazy withdrawal.

How many times did this young, white man hear that he was "nothing?" In this world where the brown-skinned man rules, where Chinese and Indian philosophers are venerated, where multiculturalism runs the world, the heir to the white western civilization is deemed "nothing."

Does this young man realize that it is this "nothing" civilization that his "nothing" ancestors built which draws all these people here, reaping all the benefits but giving him nothing in return, other than to call him "nothing?"

Monday, May 14, 2018

Belly Dance and Genuflections

Disclosure:

I used to be part of a belly dance group. I was good. I spent about two years learning the ropes. Near the end of my time there, after some of our regular recitals, people would come up to me telling me how much they enjoyed my dancing.


I am the one "in focus" in the back row, far right

But the woman who ran the show, Hilary Shaw, who gave herself an Arabic name, Yasmina Ramzy, never quite liked me.

Perhaps it is because she knew I was an Ethiopian Christian. Or maybe because I never really behaved like a lackey - I was quiet and reserved.

Yasmina, despite her "Egyptian" name, was not really into Islam. She preferred the pagans of the pre-Islam cultures. She would dance to Ishtar and other goddesses.


Yasmina Ramzy in an invocation of the Moon Goddess



One day, I just up and quit. I had had enough: of being delegated to the back row, of dancing to godheads I didn't know, and of my final admittance (to myself) that this was an inferior dance: not like the ballet I spent years mastering during my pre-teen years, nor like the various American folk (square) and ballroom dances I performed in later years. And certainly not like the structured modern dances (where I also gained audience fans) while studying at the University of Connecticut in my mid-twenties and where I joined a community dance group.

Now, many years later, Yasmina Ramzy, aka Hilary Shaw, continues to genuflect to pagan goddesses, which my spiritual instincts had naturally abhorred and rejected.

Paganism is here to stay. It has been mulling around our culture for decades. Now "multiculturalism" and a covert dismissal of Christ are allowing it to germinate. It, along with its protector Satan, has (almost) come out into the open.

Which it will do unless we stop it.

Monday, May 7, 2018

Art in the City

Below are shots of the National Ballet of Canada dancers performing at the Union Station subway stop in downtown Toronto in November 2016.

The dancer is principal dancer Skylar Cambell.

















[Photos By: KPA]

Saturday, March 10, 2018

Heart and Soul



This young singer brought up in Miami since the age of five sings the most authentic Cuban salsa music.

Of course the pornographc lesbian Ellen Degenerate has her claws on her and invited her on her show. Nonetheless the Havana Girl shows herself to be thoroughly heterosexual despite the Ellen Charm™.

I know. I had a flair for salsa dancing. During my Mexico years, I befriended a group of people who liked to frequent a small salsa joint, Bar Leon, in the city's Centro Historico (actually not a very safe district).

A dorm mate at the University of Connecticut from Puerto Rico taught me some basic steps and I practiced them in my cramped room with latino music from a cassette I had borrowed playing on my compact player. Even she was impressed by my results.

At Bar Leon, I would drag whatever partner I could find in my group who was naive enough, or curious enough, to go to the dance floor with me and I would dance as the GUIDE, something unheard of in Latino culture - the woman never GUIDES for the love of God!

Some young man either from the audience or from the floor would ask my clumsy partner to step aside and he would gently nudge me in the directions he would like me to go. He was the guide.

People thought I was some gringo Cuban (or from Vera Cruz). Never the African I was. Although in the my later encounters with deeply religious Catholic rural Mexicans, they thought Ethiopia was not "African" but rather the land by the Red Sea with Mosesian associations. "Vengo del pais por el Mar Rojo" I would dramatize my origins. One time, when a farmer knew I was coming back in the area (word gets around in those hilly villages), he came along to see who this person was. I don't think he was disappointed. But I brought things back to earth by asking him if any senora in his village could make me one of the embroidered tops typical of the region. He told me to come back in a couple of weeks. By then, I had left the region and was renegotiating my future - to stay on with my program or to start new frontiers. Of course I chose the latter.

Lyrcs to:
Havana, Oh na-na
Havana, ooh na-na
Half of my heart is in Havana, ooh-na-na
He took me back to East Atlanta, na-na-na
Oh, but my heart is in Havana (ay)
There's somethin' 'bout his manners
Havana, ooh na-na

He didn't walk up with that "how you doin'?"
(When he came in the room)
He said there's a lot of girls I can do with
(But I can't without you)
I knew him forever in a minute
(That summer night in June)
And papa says he got malo in him
He got me feelin' like

I knew it when I met him
I loved him when I left him
Got me feelin' like
Ooh-ooh-ooh, and then I had to tell him
I had to go, oh na-na-na-na-na

Havana, ooh na-na
Half of my heart is in Havana, ooh-na-na
He took me back to East Atlanta, na-na-na
Oh, but my heart is in Havana
My heart is in Havana
Havana, ooh na-na

Havana, ooh na-na
Half of my heart is in Havana, ooh-na-na
He took me back to East Atlanta, na-na-na
Oh, but my heart is in Havana
My heart is in Havana
Havana, ooh na-na

Take me back to my Havana







Sunday, October 16, 2016

Nothing

"And those who were seen dancing were thought to be insane by those who could not hear the music" Friedrich Nietzsche


Derek Hough, the talented dancer from
Dancing With the Stars


I was by the lovey Jubilee Garden in Mississauga when I saw a young man moving gracefully. At first it looked like he was dong some kind of stretching exercise, but he was moving to some inner rhythm. He was not a dancer (I didn't think so) but he was artistic.


The Jubilee Garden as winter approaches
[Photo by KPA]


"Are you an artist?"

"No."

"What do you do?"

"Nothing."

"Oh. What did you study?" I've met before another young man who told me he had recently been a student at the nearby Sheridan College and was going on with more school since he couldn't find work.

"Philosophy," said this young man.

"You're a philosopher!" I concluded, pointing my finger at him telling him off for his lazy withdrawal.

How many times did this young, white man hear that he was "nothing?" In this world where the brown-skinned man rules, where Chinese and Indian philosophers are venerated, where multiculturalism runs the world, the heir to the white western civilization is deemed "nothing."

Does this young man realize that it is this "nothing" civilization that his "nothing" ancestors built which draws all these people here, reaping all the benefits but giving him nothing in return, other than to call him "nothing?"


Derek Hough

Tuesday, March 24, 2015

Derek Hough is Back



The talented, handsome, charismatic, and nice guy Derek Hough is back on Dancing With the Stars. He was debating whether to come back or not, but I think his overwhelming popularity (tweets, likes, blogs - like mine - and so on) persuaded him to give it one more chance.

His sister, Julianne Hough, is the judge, but she has also danced and won two trophies during her time as a pefromer on the show.

I have posted Hough's video above with his partner Olympic gymnast Nastia Liukin. His choreography is reminiscent of Fosse's, although less idiosyncratic, which the crazy Italian judge recognized last season.

I've blogged about Derek several times: 1, 2, 3, 4, 5.

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Posted By: Kidist P. Asrat

Tuesday, November 18, 2014

Picture Perfect


In the Picture
Derek and his partner Bethany in the Semi-finals of
Dancing With the Stars


The talented and artistic Derek Hough created a gem of a piece last night at the semi-finals of Dancing With The Stars.

The dance had a frame as a central point. The two dancers (Hough and his "celebrity" partner Bethany Mota) danced with this frame, but the main story was how they moved within the limitations of this frame, with the girl at times trying to get out of the "frame" and the boy pulling her back in.


Derek Hough and Bethany Mota dancing with (and within) a frame
Video of the full dance

It was a piece about art, about painting, about human desires, about love and, of course, about (and of) dance.

Hough must have studied art in some capacity. Perhaps he knows the composition Pictures at an Exhibition by the Russian composer Modest Mussorgsky.

Perhaps he knows the endless (and often futile) debate by modern artists about "The Frame" and how it confines art (although I think it is a false premise, but that is for another discussion).

But, Derek didn't scorn this frame, or try to do away with it. Instead, he used its limitations, as great artists have done, to create a whole world within those four pieces of wood.

Of course, Derek's frame is also the dance floor, so even if his partner left that picture frame, she would still be confined to the dance floor's "frame." Unless she lept off the stage. And that would have been another dance.

But were that moment to arrive, I think Derek (or this character that Derek created) would try to keep her there on the dancer's stage, where art, and dance are, and not into the dark and mundane audience hall.

The piece was picture perfect.

(Don't pay much attention to the whiny music, which is supposed to be an acoustic version of the Jackson 5's "I want you back." It looks like contemporary dance is ahead of contemporary music - or "contemporized" music - although there are some really good singer/songwriters that are hidden from the pop public that coming out these days. Listen and decide, the whiny version, that is.)


Modest Mussorgsky, Russian (1839-1881)
Pictures at an Exhibition: Tuileries (1864)
Allegretto non troppo troppo,capriccioso
Pianist: Byron Janis

Although Mussorgsky's piece is titled Tuileries (after the Tuileries Gardens), he had never been to Paris. Instead, he based his piece on a painting of the Tuileries (now lost) by Russian architect and painter Viktor Hartmann.


Maurice Prendergast, American (1858-1924)
In Luxembourg Gardens (1907)
Oil on Panel
Height: 10.75 in x 14 in
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Posted By: Kidist P. Asrat
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Wednesday, April 9, 2014

Dancing with the Stars

Maksim and Meryl, dancing the Foxtrot

Meryl Davis is the Olympian figure skater from the US,who came back from the 2014 Winter Olympics with two medals, one gold and one bronze.

Derek Hough, the star dancer and instructor of Dancing With the Stars, choreographed the Ice Dancing routine, for which she won gold with her partner Charlie White (who is also competing in Dancing with the Stars this year)

Meryl is partnered with Maksim Chmerkovskiy, the competing "star" instructor of Dancing with the Stars, for the 2014 season.

Below is the video for week two, with her and Maksim doing the Foxtrot:



In week three, there was a "switch-up" of partners, and Meryl danced with Maksim's brother Valentin.

Here is the video, with her and Val doing the Tango:



Meryl is the talent to watch. She's received some flack for competing in Dancing With the Stars with her dancing background, but dancers are quick to point out that figure skating might actually be a disadvantage, for the kinds of moves that make up that discipline.

Derek won an Emmy for Choreography at the 2013 awards. For this episode of Dancing with the Stars, he choreographed the Dancing With The Stars Macy's Stars Of Dance. Below is the video:



It is a dark and sombre piece. But what is to be expected of young artists today influenced by vampires and dark fairy tales?

Still, the weavings of Derek's choreography shows true talent. Perhaps, at some point, he will find a better subject then death and destruction (or nihilism). The glimmer of hope is the beautiful young woman in the dance, who might be the muse trying to get out of the horror story.

But, at some point, beauty will have to stand side-by-side with talent, as I hoped at this posting in 2011 on another television dance competition, So You Think You Can Dance. One step at a time.

Dancing With the Stars is also one such show, where amateurs train for weeks to perform like graceful dancers. Some even succeed. And they can all go home and spread the message of beauty.

The Coveted Mirror Ball
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Posted By: Kidist P. Asrat
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Friday, January 3, 2014

Death Wish For a New Baby


Photo of the New York City Ballet dancer, Mary Helen Bowers, from her Instagram page

Tiberge, from Galliawatch, sent me some links about a pregnant ballerina. These two words, "pregnant" and "ballerina," wouldn't even be used together at one time. A pregnant ballerina would quietly leave her performing life, quietly have her baby, quietly rest, and possibly quietly never return as she raises her family.

Ballet dancing is a very athletic, and physically very demanding career. The dancer has to be in it 100%. (Including the males, by the way). Any vacillations, and she could (will) be replaced.

Imagine the ballerina's concentration being destracted by a growing stomach!

Here is what Tiberge emailed me:
Which is why I am sending you this item. I don't know how to regard women who do things like this. She is showing off God's gift, but in doing so she is sullying the gift. Or am I wrong? Am I too conventional?

...For me, it is unthinkable to continue to dance ballet while pregnant, but apparently today's girls think differently. Not only do they continue to work out, they feel they must display their belly as graphically as possible...

I was a little surprised to see this article linked at Le Salon Beige, uncritically. French Catholics are of course very much pro-life, pro-pregnancy, pro-family, etc… For some reason, however, contrary to my own point of view, they do not appear to be offended by this. They seem to see this more as an affirmation of "life" than as the ineffable arrogance of female exhibitionism, which is what I see...

Is there a Catholic point of view on this? From the aesthetic, religious, and moral viewpoints, what do Catholics think of girls who exhibit their pregnancy? Or is this a question of personal taste, with no connection to Church doctrine?

My opinion (subject to modification) is that the anti-family culture that is prevalent, and the female exhibitionist/porn culture that is equally prevalent, are one and the same. Together, they generated this type of behavior that passes for something elegant, natural and spiritual (and really cool), when in fact it is anti-family (since it stresses the ego satisfaction of the mother), unnatural (since she is obviously trying to prove a point that most women will never be able to prove even if they are in good health), and totally unspiritual (since the physical bulge is the focal point of her photo album).

- The main article with slide-show

- Enceinte de 9 mois, une danseuse étoile continue de danserLe Salon Beige (Nine-months pregnant, a ballerina continues to dance)
I reply:
This is an awful phenomenon of very pregnant girls endangering their unborn infants. Ballet is a very difficult and athletic dance. The dancer herself is in constant danger of spraining ankles, etc. She has to concentrate 100% on herself. With the added burden (weight and psychological) of another life INSIDE her (!), her concentration is deflected, and she is likely to be less secure and sure of her moves, and thus to fall or otherwise lose her balance.

It is terrible and irresponsible [to take photographs of herself in advanced pregnancy doing difficult ballet moves]. And it is the usual trend of women thinking they're superwomen, and that they can do whatever they want (e.g., having "careers" with infants and children at home). Also, it is a deep disrespect of their femininity, and femaleness. With these photographs, they're scorning the unborn child, their husbands (or the fathers), and society at large, and snubbing their noses at them. Just because a woman is pregnant doesn't make her a GOOD woman, or a GOOD mother. That honor comes with her character, her personality and so on.

The interesting thing is that these "superwomen" are actually totally dependent on society. If the father isn't in the picture, it will be some kind of state subsidized life that she will lead, which will feed and clothe her baby. The superwoman/mother image is mirage, and at worst a lie she's been fed by modern society...

This superwoman phenomenon is a very interesting, and is now quite common in all aspects of women's lives.
It doesn't look like Bowen went back to New York City Ballet after the birth of her child. Her Facebook page biography has this:
Professional ballerina, fitness guru & technology entreprenuer.
Ballet Beautiful founder Mary Helen Bowers is changing the way the world works out and connects online with Ballet Beautiful Live. Register today to take a class at www.balletbeautiful.com
And Ballet Beautiful is described as:
Ballet-inspired fitness for every woman...

Ballet Beautiful provides techniques to build and maintain the beauty, strength and grace of a ballerina.

Ballet Beautiful benefits include:
- Sleek ‘ballet’ muscles
- Beautiful posture
- Strong, lean center
- Increased flexibility
allet Beautiful's aim is to "look" like a ballerina, not to "be" a ballerina.

So, as I wrote above, Bowen did not go back to the grueling world of a ballerina after she gave birth, she instead started an organization which gets people to "look" like ballerina's, including herself.

Still, the question remains: "How much time is she spending away from the family, and new baby, with this 'new career'?"

Below is The News Republic article in French:
Il est parfois difficile pour une future maman d'arriver à conjuguer grossesse et carrière une fois arrivée à quelques semaines du terme. La fatigue, l'effort physique sont souvent des freins bien naturels à son activité professionnelle, quelle qu'elle soit mais d'autant plus lorsque celle-ci requiert une impeccable condition physique.
Arrivée à 9 mois de grossesse, la ballerine Mary Helen Bowers continue quant à elle pas chassés, pointes et entrechats comme si de rien n'était et s'immortalise ainsi dans une jolie et gracieuse série de photos publiée sur son Instagram. Après avoir dansé pendant 10 ans au New York City Ballet et été l'entraîneuse de Natalie Portman pour son rôle dans Black Swan, le petit rat s'apprête à donner naissance à une petite souris qui sans aucun doute aura, dès ses premiers instants, la danse dans la peau !
Retrouvez toutes les photos de Mary Helen sur son Instagram balletbeautiful.
My translation:
It is sometimes difficult for a future mother to combine pregnancy and career when she's a few weeks away from giving birth. Fatigue, physical demands, are often the natural breaks to her professional activities, whatever it may be, but even more when it requires a perfect physical shape.

For Mary Helen Bowers, at nine months into her pregnancy, continues with pas chasses, points and entrechats as though nothing had happened, and imortalises herself in a pretty and graceful series of photos published on her Instagram. After having danced for ten years at the New York City Ballet, and having been Natalie Portman's trainer for her role in the Black Swan, the little rat prepares to give birth to a little mouse, which without doubt will have, from the first moments, ballet under her skin!
Find all the photos of Mary Helen on Instagram balletbeautiful.
In her most recent post, Tiberge writes about the ballerina Noëlla Pontois, whose doctor felt that the frail Noëlla might benefit from the strict exercise of ballet dancing to build up her physique. And it seems that her "concentration, a strong will, discipline and assiduousness" showed her strong character, which helped her through this difficult discipline. No photos of her with a protruding belly.

Tiberge posts a photo of a ballet dancer, Piernina Legnani, who is considerably stocky compared to contemporary ballet dancers. Tiberge writes:
The ideal of the swan-like ethereal creature we associate with ballerinas came later. Before, female dancers were a bit heavier, though I'm sure it did not affect their dancing. The change came with the indisputably great Russian choreographer George Balanchine who wanted his dancers to really look like swans. So strict dieting became the norm. How it affected the health of the women I cannot say, but it's a grueling life for them.
The strict dieting and very thin bodies expected of ballet dancers does affect their health. As do the grueling dances they have to perform on points. Ballet dancers are athletes, and perform like athletes.

But no choreographer wants his dancers to deteriorate, or to be harmed. Dancers begin their training as very young children, and spend hours preparing their bodies for the dances they later perform on stages as though they were floating on air. Their trainers and choreographers also know how to build their bodies, and how to use them for their difficult manouvers.

This is why a ballet dancer cannot have anything to detract her attention away from her moves, as I wrote to Tiberge, and especially a living being in their belly, where she has to doubly worry about losing her fragile balance, and harm or kill the fetus (and possibly herself).

The "pregnant-but-dancing" theme is just another "superwoman-with-career-and-kids" theme of contemporary women, who fail at every instance they take on this role.


Noëlla Pontois
Photo by Jacques Loyau

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Posted By: Kidist P. Asrat
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