Showing posts with label Choral. Show all posts
Showing posts with label Choral. Show all posts

Friday, February 15, 2019

Dies Irae



I have a theory that Canada's cities will implode. I have written about this in many posts (see my "multiculturalism" and "immigration" categories). Multiculturalism, which was supposed to bring people together and form one happy utopian global family, has alienated people altogether. Offspring of immigrants (those "Canadian-born" hyphenated Canadians) on whom great hopes were bestowed to build that wonderful multicultural utopia, are clinging together, since on personal cultural levels they have nothing to connect them to the "main" culture.

I recently sent bold and frank letters to relatives that they return to their homeland to live authentic and happy lives AS ETHIOPIANS, rather than in this forced cultural hot pot. My message has actually resonated.

So what happens when this stewing war starts to boil over, in five years, thirty years? I bet on sooner than later.

Mississauga and Toronto are now cities of enclaves. People gravitate to neighborhoods of their own ethnic makeup. And those who have settled in some multicultural hub do so because of mortgage commitments, or their children's high school, or simply because the neighborhood appears to be nicer, cleaner, more convenient, with attractive parks and convenient shopping centres.

In our building, there is no cheerful "Good Morning" or "Good Evening" as one enters the slow and often crowded elevator. What occurs is silence broken by some cell phone conversation in Urdu or Cantonese, often loudly, and clearly showing the cell phone converser couldn't care less about the rest of the elevator's riders. They don't understand what he's saying anyway, and he shuts them out of his radar and continues with his uncouth, careless behavior.

And it is the same with actual conversations, when they do occur. Those talking to each other do so in their country of origin's language, loudly and without regard for anyone else. For example, I could be between such two people, and rather than move to get closer to each other, they will talk over me loudly and confidently, as though I don't exist.

And the same with apartments units. The building was built about twenty years ago when Mississauga was erecting high rises to accommodate a greatly increasing immigrant influx and was choosing Mississauga for the much touted "farmland" and open space.

Walls are cardboard thin, which makes these sound insensitive residents' telephone conversations from China or India all the more grating. These calls are often during the evening hours (time difference?) when one would expect one's home to have some peace and quiet in preparation for the long night of sleep ahead.

Air conditioning and heating systems are dated and archaic (and badly constructed) that they churn out air through groaning turbines. Ventilation is ineffective in neutralizing the heavily spiced foods that permeate through the hallways. And structures both superficial (wall paper) and internal (the heating system) are deteriorating, despite the regular maintenance that takes place and which constantly disrupts life in the apartments and the building as a whole.

At one point I blamed the inhuman multicultural system that made Canada (and Mississauga) into this ghettoized Gomorrah.

But the residents are fully to blame.

There is something profoundly opportunistic about people who moved thousands of miles away to come and live in the land of plenty: in Canada. They left relatives, a cultural network, familiar landscapes, their gods and idols to live in a country which gives them much in material goods and benefits. Their children can go to school for free in some of the best educational institutions in the world. They can shop in clean and fully stocked grocery stores where fresh produce is available year round. And if they have monetary problems, and most are likely to, even extending to their "educated" children, there is a generous welfare system to hand out their monthly dollars as it takes the funds from the society's purse.

How long will this last, is the question.

I predict not for long.

Perhaps God's wrath will manifest itself as it periodically has. We might get a flood of Biblical proportions.

Or there might simply be an internecine warfare, slow at the beginning until it explodes into something big and destructive.

We have already started this warfare, if behavior in elevators is any indication. And I think it IS an indication.

And God might be preparing us for that clean slate, a new beginning, to rebuild a city, a land worthy of His name.

We should, we must, prepare.
Zephaniah 1

1 The word of the Lord which came unto Zephaniah the son of Cushi, the son of Gedaliah, the son of Amariah, the son of Hizkiah, in the days of Josiah the son of Amon, king of Judah.

2 I will utterly consume all things from off the land, saith the Lord.

3 I will consume man and beast; I will consume the fowls of the heaven, and the fishes of the sea, and the stumbling blocks with the wicked: and I will cut off man from off the land, saith the Lord.

4 I will also stretch out mine hand upon Judah, and upon all the inhabitants of Jerusalem; and I will cut off the remnant of Baal from this place, and the name of the Chemarims with the priests;

5 And them that worship the host of heaven upon the housetops; and them that worship and that swear by the Lord, and that swear by Malcham;

6 And them that are turned back from the Lord; and those that have not sought the Lord, nor enquired for him.

7 Hold thy peace at the presence of the Lord God: for the day of the Lord is at hand: for the Lord hath prepared a sacrifice, he hath bid his guests.

8 And it shall come to pass in the day of the Lord's sacrifice, that I will punish the princes, and the king's children, and all such as are clothed with strange apparel.

9 In the same day also will I punish all those that leap on the threshold, which fill their masters' houses with violence and deceit.

10 And it shall come to pass in that day, saith the Lord, that there shall be the noise of a cry from the fish gate, and an howling from the second, and a great crashing from the hills.

11 Howl, ye inhabitants of Maktesh, for all the merchant people are cut down; all they that bear silver are cut off.

12 And it shall come to pass at that time, that I will search Jerusalem with candles, and punish the men that are settled on their lees: that say in their heart, The Lord will not do good, neither will he do evil.

13 Therefore their goods shall become a booty, and their houses a desolation: they shall also build houses, but not inhabit them; and they shall plant vineyards, but not drink the wine thereof.

14 The great day of the Lord is near, it is near, and hasteth greatly, even the voice of the day of the Lord: the mighty man shall cry there bitterly.

15 That day is a day of wrath, a day of trouble and distress, a day of wasteness and desolation, a day of darkness and gloominess, a day of clouds and thick darkness,

16 A day of the trumpet and alarm against the fenced cities, and against the high towers.

17 And I will bring distress upon men, that they shall walk like blind men, because they have sinned against the Lord: and their blood shall be poured out as dust, and their flesh as the dung.

18 Neither their silver nor their gold shall be able to deliver them in the day of the Lord's wrath; but the whole land shall be devoured by the fire of his jealousy: for he shall make even a speedy riddance of all them that dwell in the land.

Dies Irae, from Mozart's Requiem in D Minor (Text)
La Chapelle Royale Collegium Vocale
Orchestre Des Champs -Élysées
Philippe Herreweghe



Sunday, December 24, 2017

O Come O Come Emmanuel



O come, O come, Emmanuel
And ransom captive Israel
That mourns in lonely exile here
Until the Son of God appear
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Rod of Jesse, free
Thine own from Satan's tyranny
From depths of Hell Thy people save
And give them victory o'er the grave
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Day-Spring, come and cheer
Our spirits by Thine advent here
Disperse the gloomy clouds of night
And death's dark shadows put to flight.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Key of David, come,
And open wide our heavenly home;
Make safe the way that leads on high,
And close the path to misery.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, O come, Thou Lord of might,
Who to Thy tribes, on Sinai's height,
In ancient times did'st give the Law,
In cloud, and majesty and awe.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

Friday, September 13, 2013

Translations of the Pslam 42: Like As the Hart


The Wilton Diptych: Exterior [showing the white deer]
Painted in England or northern France
Around the time of Richard's second marriage in 1396

The Wilton Diptych in the National Gallery takes its name from Wilton House, near Salisbury, Wiltshire, where it was housed between 1705 and 1929. The name of the artist and the place where it was made are unknown. It has been suggested that the painter came from Italy or Bohemia, but it is probable that the diptych was made on behalf of Richard II himself and that it was painted in England or northern France around the time of Richard's second marriage in 1396. Surviving panel paintings from northern Europe dating from the late fourteenth century are very rare.

[...]

On the other panel is a white hart, Richard II's badge. Around its neck is a crown with a chain attached. The antlers stand out from the gold ground through the effect of light and shadow created in pointillé. The hart lies in a grassy meadow strewn with flowers and mingled with rosemary thought to be in remembrance of Richard's first wife, Anne of Bohemia. The green pigment has discoloured with age.

[Source: Richard II's Treasure]
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In my post: Like as the Hart and a Cacophony of Cicadas, I posted Psalm 42 where the phrase "Like as the hart" (or more precisely in the King James version "As the hart") occurs. Howell, who wrote the psalm to choral music, and whose version the Choir of St. Paul's Cathedral performs, uses Like as the Hart for his composition:

The blogger A Clerk at Oxford analyzes various translations of the psalm. It is worth spending the time reading his analyses, albeit a little difficult at times.

Here is his post: Psalm Translations: Like as the hart
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Posted By: Kidist P. Asrat
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Sunday, September 8, 2013

Pie Jesu


Gabriel Faure
Requiem
- Pie Jesu
- In Paradisium
Choir of King's College, Cambridge, 1967
Treble: Robert Chilcott

The solo soprano sings the prayer to the "good Jesus" for everlasting rest. The one line of text is repeated three times, the first two times asking for "requiem" (rest), then intensified for "sempiternam requiem" (everlasting rest). The first call is a modal melody in B-flat major of six measures, the second call is similar but reaching up higher. The words "Dona eis, Domine, dona eis requiem" begin with more expansion, but reach alternating between only two notes on two repetitions of "sempiternam requiem". The last call begins as the first and leads again to alternating between two notes in even lower range, until the last "requiem" has a gentle upward motion. [Source: Wikipedia - Faure Requiem]
Pie Jesu

Pie Jesu Domine
Dona eis requiem
Dona eis requiem

Pie Jesu Domine
Dona eis requiem
Dona eis requiem

Dona eis Domine
Dona eis requiem
Sempeternam requiem
Sempeternam requiem
Sempeternam requiem

Pie Jesu
Pie Jesu Domine
Dona eis, dona eis
Sempeternam requiem
Sempeternam requiem
Merciful Lord Jesus
Give them rest
Give them rest

Merciful Lord Jesus
Give them rest
Give them rest

Give them Lord
Give them rest
Everlasting rest
Everlasting rest
Everlasting rest

Merciful Jesus
Merciful Lord Jesus
Give them, give them
Everlasting rest
Everlasting rest
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Posted By: Kidist P. Asrat
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