Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

Tuesday, May 12, 2020

In Defense of Wallpaper


Bold wallpaper in Coronation Street interior


From my Camera Lucida (2005-2013) blog post In Defense of Wallpaper, December 2, 2009.

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In Defense of Wallpaper

I hardly watch any series, serials or sitcoms. But, one that I follow is the gritty working class British soap opera (I think the longest standing), Coronation Street, which the CBC obligingly airs six months later than the British schedule. The actors are all excellent, with their Western England accents. All the characters show a resilient cheerfulness, where tragedies never handicap anyone, and a loss is sooner or later forgotten in the pursuit of a possible gain.

One thing I've noticed, which I don't think occurs in any other sitcom, is the abundance of wallpapers. From gaudy silvery leaves to delicate poppies, and entangled vines and flowers to modern, monochromatic versions of old-fashioned designs, decorative paper covers the walls of almost all the homes in Corrie Street.

I wonder if wallpaper has been relegated to working class homes in Britain? The fanciful and opulent these days prefer their walls stark and bare, showing off their wealth with "less is more" pretentiousness. Yet, they don't know what they're missing. The abundance of pattern that adorns the homes of these modest people surely influences their charitable spirit and cheerful bearing. An empty and sterile home breeds empty and sterile personalities. Wallpaper converts the poor man’s home (any man’s home) into a rich and warm abode. The intricate repeat pattern splendor of shapes and forms highlights generosity and abundance. How can one remain stingy and dissatisfied when the walls are covered with such glory?

Wednesday, September 19, 2018

Julie Chen: Eliminated



I wrote about Julie Chen back in 2012 describing the way she got into the high echelons of t.v. programming.

- The Chinese Women/White Men Coupling Epidemic
Several high profile white men have taken up Asian wives. They often divorce their first, white wives, to marry the Asian women. Media Mogul Rupert Murdoch, CBS Chairman Les Moonves, and Facebook founder Mark Zuckerberg have Asian wives. Murdoch and Les Moonves both divorced their first, white, wives before marrying their second, Asian, wives, although both had affairs with the Asian women while still married to their first wives. Mark Zuckerberg skipped the white wife period, since marrying an Asian woman is no longer a social anomaly, but it will be interesting to see how his marriage fares with his Westernized and Western-born Chinese-American wife. (2012)
- Julie Chen's Anti-White Woman, Multi-Culti Talk Show - With Attitude
...Julie Chen's failing show The Talk has a panel without a straight, white, American woman. The straight, white, American women she has (or had) on her show have some Jewish ancestry. Leah Remini is half Jewish from her mother's side and both parents of Marissa Winokur are Jewish. (2012)
Fast forward to 2018 and there still is no white woman with gravitas on "'The Talk."

Instead there is Sharon Osbourne whose claim to fame is her "heavy metal rocker" husband who bites off bats' heads in his concerts. And Osbourne is NOT an American white woman but sits there with her grating lower class English accent, which American white women cannot relate to. Osbourne is also half Jewish.

And Sara Gilbert, a lesbian "married" with three children (IV and other conception and birth methods), who is Jewish (on both sides).

Other members of this illustrious group are:

- Eve, a black hip-hop musician who is for her 2002 song “Let Me Blow Ya Mind, and who has acted in a t.v. production titled "xXx.”

- Sheryl Underwood, a black military woman and comedian, and "a lifelong Republican." However, she campaigned for Barack Obama's re-election in 2012. She also campaigned for Hillary Clinton in the 2016 election "because," she says "we have to protect the legacy of President Obama. Low voter turnout benefits Donald Trump and the Republicans. He can't win."

These personalities are deliberately chosen to undermine the white majority of America, amongst whom are found the racist, sexist, homophobic and all round evil people who voted for President Trump. But Trump is not their ally and in fact is closer to Underwood than she thinks, and who has been capitulating towards liberals (and Democrats) since his election.



In the above video, the "ladies" at The View, after which the badly worded "The Talk" (that's what you do with your 12-year old) was molded chime in and with some humor by Joy Behar.

Chen also hosts Big Brother which she started before she married Moonves. Big Brother is a creepy show where a group of strangers live in the same "house" for a period of time as they get eliminated over "challenges." There is Survivor (a far superior show) which challenges people in some wild and remote island. But in the same house as people with no way of going out unless you're eliminated? Well for half a million dollars...

Wednesday, February 14, 2018

Jews and Death


Julia Samuel "psychotherapist specializing in grief" on TVO in soft pink and gold,
whose job is to help ease the pain of grief


The erudite and smart Steve Paikin of Television Ontario's The Agenda had on a "psychotherapist specializing in grief" as his main guest this evening. The full interview is below, or online here.

There was a fascinating discussion on death and grief which Paikin's guest, Julia Aline Samuel, adeptly maneuvered. But not once, not once, in her discussion did God feature.

How can one discuss death and grief without mentioning God? How can one discuss death and grief without God being the center, the axis, of the discussion?

Incredible.

I looked up Samuel, and through various associations she is clearly a Jew (by marriage).

Here are the brief details:

- Hon. Michael John Samuel was born on 2 November 1952. He is the son of Peter Montefiore Samuel Samuel, 4th Viscount Bearsted and Hon. Elizabeth Adelaide Cohen.

- He married Julia Aline Guinness, daughter of James Edward Alexander Rundell Guinness and Pauline Vivien Mander, on 6 March 1980.

- Children of Michael John Samuel and Julia Aline Guinness:
Natasha Vivienne Samuel b. 25 Jun 1981
Emily Elizabeth Samuel b. 11 Jul 1983
Sophie Alexandra Samuel b. 1986
Benjamin Peter Marcus Samuel b. 1989

- The last child (a son) of Michael's and Julia's has the first name Benjamin (as in the youngest son of the Biblical Abraham).

Nowhere is the full religious and cultural background of the Samuel family disclosed, but their backgrounds can be clearly surmised through these associations.

Therefore, Julia Aline Samuel (nee Guinness - aristocratic Anglo-Irish Protestant family in brewing, banking, politics, and religious ministry.) clearly had to convert to Judaism for this marriage to be sanctified by Jewish religious and legal procedures.

But like all Jewish families who have mixed (converted) members, their affinity to the religious side of Judaism is minimal, while they may follow cultural and societal rules and regulations of the religion.

They can for all practical purposes be called "atheist" Jews. (This is a profound oxymoron, to be discussed at a later date. Without God, Jews are nothing. They cannot profess to be Jews and NOT believe in God).

Therefore Samuel "counsels" people who are plunged into the abyss of grief with psychological props to handle their grief, and not once does she ease the terrible burden off people's shoulder's by saying: There is God. He will help you.

The iniquities of the modern world are beyond belief.

Paikin is not to blame for the discussion, nor the direction of the discussion. He makes himself vulnerable by telling Samuel a personal anecdote. He was asking her for help. But the callous Samuels simply smiles and gives "advice" in her voice softened, and trained, for therapy. (The section is around the 23 minute point - full video is below).

Samuel is part of the great failed Jewish tradition of psychoanalysis. How many Woody Allen movies show a man who goes his whole life sitting (lying) on a psychiatrist's couch with no personal improvement to show for it? It was simply a narcissistic addiction which served patient and doctor.

You can watch the full TVO interview here.

Saturday, January 27, 2018

Post-Trump "Me-Toer" Megyn Kelly



Imagine your journalistic trajectory: Going from interviewing a future president of the United States to staging a "talk show" where you discuss "cozy fashion finds..." under a blanket!

Below is a four-minute segment:



The abrasive and non-photogenic Kelly is plodding through a morning talk show with ample arm movements and chuckles pretending to have a good time. And let's not forget the stilettos and skin-tight dresses.

What would she ask Pres. Trump if he ever came on her show (the likelihood of which - her asking and his accepting - are pretty high)?

It's not that she has forgiven him - she finds any occasion to throw covert jabs at him - but she would want to show him she's risen above her embarrassment and is back on television. And this time where she would have 100% support - by the 99% all-woman audience.

Imagine though going from "news" reporting (and even if some was fake news she got to meet big important people such as heads of states!) to talking about cozy blankets!

Kelly of course brought up her "Me Too" moment on her show on October 23, 2018:
"I know, because I complained...I wrote an email to the co-presidents of Fox News, Bill Shine and Jack Abernethy, an email have never made public but am sharing now because I think it speaks volumes about powerful men and the road blocks one can face in taking them on."
Watch Kelly on her 4 minute confession and group hug, dressed in a somber black dress (a precursor to the Hollywood "Black for Me Too" extravaganza):





Below, Kelly is on her October 23 confessional show as she interviews Juliet Huddy, another Me Too-er who also accused Fox News' Bill O'Reilly.

Both are dressed up for the event with black, but fancy dresses, and the prerequisite super heels.

The poor self-effacing man is attorney Doug Wigdor "handling 22 claims against Fox News" according to Kelly's introduction.



It is incredible that "allegations" becomes a lynching word. Trial without judge or jury! Welcome to the Post Modern Feminist Movement.

Welcome to the Brave New World!

Tuesday, March 24, 2015

Derek Hough is Back



The talented, handsome, charismatic, and nice guy Derek Hough is back on Dancing With the Stars. He was debating whether to come back or not, but I think his overwhelming popularity (tweets, likes, blogs - like mine - and so on) persuaded him to give it one more chance.

His sister, Julianne Hough, is the judge, but she has also danced and won two trophies during her time as a pefromer on the show.

I have posted Hough's video above with his partner Olympic gymnast Nastia Liukin. His choreography is reminiscent of Fosse's, although less idiosyncratic, which the crazy Italian judge recognized last season.

I've blogged about Derek several times: 1, 2, 3, 4, 5.

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Posted By: Kidist P. Asrat

Friday, February 20, 2015

East Coast Color


Newfoundland and Labrador television commercial

I've always wondered at the color in the "northern" lands. One would expect them to be dreary and grey. But, wherever people cherish the beautiful, they will always have color. Color is part of the world.

Above is the television commercial on Newfoundland and Labrador that is currently showing on the CBC (Canadian Broadcasting Corporation, more similar ones at the link). We have a few more months to plan for that vacation by the sea.

The survey on the website asks me (for a chance at a silkscreen of a whale) if I would travel to Newfoundland and Labrador. I answered honeslty "not very likely."

But, I can still look at the images!

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Posted By: Kidist P. Asrat

Monday, January 12, 2015

It's All About the He


Bay of Pigs is an essential part of your Up Your Alley® weekend [Source]

Audience member: My fiancée and I are allergic to dogs, so we're thinking of getting a pig.

(At this point I assumed this fiancée was a "she.")

Wendy (of the Wendy Show): How about a cat?

Audience member: He's allergic to cats.

There you have it (it's all about the"he"...).

I suppose it shouldn't come as a surprise, but each time I am surprised, when the hes, shes (and maybe some day the its) are all mixed up.

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Posted By: Kidist P. Asrat

Thursday, December 18, 2014

Christine's Christmas Cheer with Chocolate-Covered Cherry Cups



Christine Tizzard, of CBC's Best Recipes Ever has a 1/2 hour daily slot to show us her culinary skills. And she is very good.



Below is the video of her showing us how to make a Christmas-themed, chocolate-covered cherry cups. Tizzard also writes for Canadian Living magazine.



I have posted the complete recipe below.
Preparation time: 45 minutes
Total time: 2 hours 30 minutes
Portion size: 30 pieces

Ingredients
10 oz (283 g) 70% dark chocolate, chopped
6 oz (170 g) milk chocolate, chopped
1 pkg (200 g) marzipan1/2 cup (125 mL) glacé cherries
Garnish:10 glacé cherries, cut in thirds

Preparation

In heatproof bowl over saucepan of hot (not boiling) water, melt together half each of the dark and milk chocolates until smooth. Pour by about 1 tsp into 1-3/4-inch (4.5 cm) wide candy cups. Refrigerate until firm, about 30 minutes.

Meanwhile, in food processor, pulse marzipan with cherries until smooth paste forms. Roll by fully rounded 1 tsp into balls. Gently press balls into candy cups, flattening tops almost but not all the way to edge.

In heatproof bowl over saucepan of hot (not boiling) water, melt together remaining dark and milk chocolates; pour by 1 tsp over filling to cover, smoothing tops. Refrigerate for 10 minutes.

Garnish: Top each chocolate with 1 cherry piece. Refrigerate until firm, about 1 hour. (Make-ahead: Layer between waxed paper in airtight container and refrigerate for up to 1 week.)
The ever-practical Canadian Living Magazine also has nutrient information:

Nutritional Information Per Piece:
Calories - 131
Protien - 2g
total fat - 8g
Saturated fat - 4g
Carbohydrate - 15g
Dietary fibre - 2g
Sugar - 12g
Cholesterol - 2mg
Sodium - 8mg
Potassium - 123mg

% RDI:
Calcium - 2
Iron - 9
Folate - 1

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Posted By: Kidist P. Asrat
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Sunday, November 23, 2014

The Meaning of Words


From Stilettos (and mini-skirts) to Sneakers (and sweaters): The Fox Five Bunch

The irritating commentary group The Five comes on periodically on Fox News. I don't know their schedule, and if I find them when I tune in, I listen for a while to see if they have anything worth listening to. Sometimes they do.

The infantile Greg Gutfeld, who almost always wears sneakers and some kind of sweater, and has his hair disheveled like a toddler, did have something to say yesterday.

The topic was Obama signing the two executive orders on Friday to delay deportation of illegal immigrants [KPA: I didn't know he signed them on Air Force One. Is this another of Obama's nonchalant and casual attitude when it comes to the laws, and the governing, of the United States?], then heading over to Las Vegas to rally support for his actions.

About two thirds into the video (below), which just has a portion of the hour-long program, Gutfeld talks about words that he says have been "abused." Gutfeld thinks he's a bit of a wordsmith, and adds his own embellishments usually at the end of the program, with words he declares "banned."



Gutfeld makes his case for a brief half a minute between 13:18 to 13:40 before he got interrupted. I've transcribed what he said:
America has a hard time trusting a President when the language keeps changing, when terrorism is "workplace violence." If breaking the law is considered "dreaming" [KPA: as in the Dream Act, Well Done Gutfeld!], consider the implications. Could theft be "A wish to own something?" We're screwing with the language so that the logic allows for a redefinition of abuses. So that almost anything could mean can mean anything. Rioting could mean...
Gutfeld was on a playful roll, but his dry co-hosts (one of the women is a lawyer) bring in the clearly obvious problems with these politicized words, and they drowned the insightful and amusing commentary Gutfeld was making. I think if he went any further, he would have brought up Orwell, 1984 (and probably Animal Farm), and how they relate (because they do!) to our present time.

The problem with "The Five" is that there are too many of them, they take themselves too seriously, and they are pedantically obvious. There is not much insight to be found there, except occasionally with Gutfeld, and if you can bear his sophomoric presence. Dana Perino is the most serious of the group, although she doesn't take herself as seriously as they do themselves), but she is strangely self-conscious. I don't think she has much practice in front of the camera like her other co-hosts, and she's probably thrown off by their juvenile banter.

Gutfeld has his own blog, so he probably has (or will have) this idea about Obama's words completed and written up somewhere.
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Posted By: Kidist P. Asrat
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Tuesday, November 18, 2014

Picture Perfect


In the Picture
Derek and his partner Bethany in the Semi-finals of
Dancing With the Stars


The talented and artistic Derek Hough created a gem of a piece last night at the semi-finals of Dancing With The Stars.

The dance had a frame as a central point. The two dancers (Hough and his "celebrity" partner Bethany Mota) danced with this frame, but the main story was how they moved within the limitations of this frame, with the girl at times trying to get out of the "frame" and the boy pulling her back in.


Derek Hough and Bethany Mota dancing with (and within) a frame
Video of the full dance

It was a piece about art, about painting, about human desires, about love and, of course, about (and of) dance.

Hough must have studied art in some capacity. Perhaps he knows the composition Pictures at an Exhibition by the Russian composer Modest Mussorgsky.

Perhaps he knows the endless (and often futile) debate by modern artists about "The Frame" and how it confines art (although I think it is a false premise, but that is for another discussion).

But, Derek didn't scorn this frame, or try to do away with it. Instead, he used its limitations, as great artists have done, to create a whole world within those four pieces of wood.

Of course, Derek's frame is also the dance floor, so even if his partner left that picture frame, she would still be confined to the dance floor's "frame." Unless she lept off the stage. And that would have been another dance.

But were that moment to arrive, I think Derek (or this character that Derek created) would try to keep her there on the dancer's stage, where art, and dance are, and not into the dark and mundane audience hall.

The piece was picture perfect.

(Don't pay much attention to the whiny music, which is supposed to be an acoustic version of the Jackson 5's "I want you back." It looks like contemporary dance is ahead of contemporary music - or "contemporized" music - although there are some really good singer/songwriters that are hidden from the pop public that coming out these days. Listen and decide, the whiny version, that is.)


Modest Mussorgsky, Russian (1839-1881)
Pictures at an Exhibition: Tuileries (1864)
Allegretto non troppo troppo,capriccioso
Pianist: Byron Janis

Although Mussorgsky's piece is titled Tuileries (after the Tuileries Gardens), he had never been to Paris. Instead, he based his piece on a painting of the Tuileries (now lost) by Russian architect and painter Viktor Hartmann.


Maurice Prendergast, American (1858-1924)
In Luxembourg Gardens (1907)
Oil on Panel
Height: 10.75 in x 14 in
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Posted By: Kidist P. Asrat
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Saturday, November 15, 2014

Soup Time


Tim Hortons Soups

Seinfeld's the Soup Nazi understood the deliciousness of soup, and how hard it is to get it right.

Well, the fast food Tim Hortons (which is more a Wendy's than a Macdonalds) has added a new selection to their soup roster: Sweet potato and spices bisque.

I'm trying to find the recipe, although I'm pretty sure the spices are a combination of paprika and cardamom, which adds to the sweetness of the sweet potato. Anything stronger, like chili peppers or curry, would drown the delicate sweet potato. Someone knows how to make soup here. Perhaps Tim's does have a soup Nazi, who will NOT divulge, at any cost, the exact (secret) ingredients of his creation.

The menu describes the soup as: "A savoury, velvety bisque with pureed sweet potatoes, spices and a touch of cream."

For a "cup of soup" which is just perfect for a very quick snack in this cold weather, it costs $3.15, with a roll. A combo is a larger "bowl" and includes coffee and chips or a donut.



Well, the Timmie's crowd is much nicer than Seinfeld's soup chef, and probably couldn't tell me what's in the bisque, with their "chef" most likely a committee somewhere at head office.

Laura Wood at the Thinking Housewife has posted what sounds like a delicious soup, which she made especially for her son and his guest.

Here is her post, An Autumn Soup, and the recipe for the soup, Curried Parsnip and Apple Soup.
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Posted By: Kidist P. Asrat
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Thursday, August 28, 2014

Unsung Modern-Day Heroes



Below is an interview of Will Estes, who plays the quiet, yet determined cop Jamie Reagan on the television series Blue Bloods. Estes is surprisingly similar to the character he plays, so much so that he ends the interview as though he were this cop: "All I know is I'll wear that uniform 'til the day I die."

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MF: You've played a few servicemen. What draws you to roles like this?

WE: I enjoy it. The Sopranos was a show about villains. But [Blue Bloods] is a show about heroes, real-life heroes that wear uniforms. They are firemen and police officers, and that's what the show's about.

MF: Tell me how you trained for the role mentally and physically.

WE: We have an incredible technical advisor on the show who was a detective with the NYPD for 24 years. He did homicide, and has seen it and done it all. I go to him for everything, and I just try to soak it all up. For me as an actor, what helps me are the finer points, the small nuances and the things that give insight into the mentality and the emotional content of the work, of the job, of being a police officer.

I try to train based on the role. I played a marine once so all I did was running, pushups and boxing. I did anything that was combat-oriented. I would go shoot and box and just sort of get into the whole mindset. In general I just like to run around and stay active. I did a little gymnastics when I was a kid so I'll run around and find a bar and try to do as many pull-ups as I can do. In terms of nutrition, I just try to eat clean.

MF: Can you give an example of something small you took from your research?

WE: You have to deal with people in a way that no one else does. I mean, you learn to come in and control an isolated situation with other human beings for your safety and for their safety. You learn to deal with people and the roughest elements of society in a way that nobody else really does. That's why I think when you look at somebody who's a cop or military personnel not in uniform, you can just feel it. You don't know what it is, but you can tell that they're a cop or military person, and I think it's because the job changes you.

MF: What qualities do you think a person has to have in order to pursue that career?

WE: I think you've got to have thick skin. It's true that police are really scrutinized these days. I think that it's a frustrating part of the job. I mean, if you discharge your weapon in self-defense, you're guilty until proven innocent.

MF: Playing this role, what's been the biggest challenge for you?

WE: Probably the winter in New York. No, I'll be honest with you. I read this pilot and it was my favorite thing that I've read in a long time. I've always wanted to play a cop on television.

MF: Why is that?

WE: I saw myself in a suit, not in the uniform. Like a detective. But I love the uniform, too. They say that all songs are love songs. I think 90% of great stories are stories about heroes. And I think a cop in a uniform or a detective in a suit is a quintessential hero. It's about justice. And I think there's a reason that there are a lot of cop shows on television. Justice is often a really interesting story and there are a lot of different stories within the element of right and wrong and where you draw the line and the gray area. They make for good stories.

MF: Why do you think the NYPD is admired by some, but hated by others?

WE: I don't know why that is. My guess is that its because New York is the biggest fastest city in the world. And it is, I think in a lot of ways, still the front door to the United States of America for more immigrants than anywhere else that want to visit here or want to be Americans. So its a super fluid, dynamic situation to police. There is sometimes a negative connotation for NY police officers among New Yorkers, but those people haven't had to police New Yorkers either. It's one of the toughest jobs in the world. It's just a really dynamic situation. Just running around and trying to film NYC, you get a sense of what it would be like to police it. It's intense.

We were shooting right near Times Square and these two guys came up and they were wearing suits. And I knew they were detectives just because I know what a detective in a suit looks like after working on this show. I was in my uniform and I was standing on the sidewalk. It's a real uniform, so anyone would assume I'm a police officer from five feet away. So one of the detectives starts to ask me about what it is like being on duty while there's a shoot going on. The other detective stopped him and said, "He's not a real cop," and he says "What are you talking about"? and he says "The collar brass." He's talking about the collar brass on my uniform, which says 12, but there's no 12 precinct in real life. It's like a 555 phone number for the movies.

ME: What do you think it is that women love so much about a man in uniform?

WE: I don't know. That's like, one of those eternal questions. Your guess is as good as mine.

ME:All you know is you're lucky to be wearing it for a job.

WE: All I know is I'll wear that uniform 'til the day I die.
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Posted By: Kidist P. Asrat
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Monday, August 25, 2014

Well, We Still Got China



I'm watching Seinfeld now probably the third time around. I wish Jerry would go back to his old crew, and resume that sardonic sitcom.

The Race is about Jerry re-running a running race where his opponent accuses him of cheating. Jerry always wins anyway (any kind of race, it is his show after all), but his co-stars have to struggle along, winning some, losing some.

In The Race, the trouble-prone Elaine's new boyfriend, Ned, is introduced thus:
GEORGE: What are you doing with the Daily Worker?

ELAINE: Ned must have left it here.

GEORGE: Your boyfriend reads the Daily Worker? What is he? A communist?

ELAINE: HE reads everything, you know, Ned's very well read.

GEORGE: Maybe he's just "very well RED"?

ELAINE: Communist? Don't you think he probably would have told me?

GEORGE: Well, does he wear bland, drab, olive colored clothing?

ELAINE: Yes, . . . yes he does dress a little drab.

GEORGE: Huh, he's a communist. . . .

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ELAINE: So how was work? Another day, another dollar?

NED: I guess.

ELAINE: Oh well nothing wrong with that. Gotta make those big bucks. . . . money money money money money money money . . . ha ha ha ha ah . . . are you a communist?

NED: Yes, as a matter of fact I am.

ELAINE: OH, AH! OH! WOW! WHOA! A COMMIE! Wow, gee, man it must be a bummer for you guys what with the fall of the Soviet empire and everything .

NED: Yeah, well, we still got China, and Cuba,

ELAINE: Yeah, but come on . . .

NED: I know it's not the same.

ELAINE: Well, you had a good run, what was it 75, 80 years? Wreaking havoc, making everybody nervous.

NED: Yeah, we had a good run.

ELAINE: Well, so enjoy yourself. (clink glasses) ha ha uh ha.
Parallel with this "are you a commie" scene is a scene with a Chinese delivery man who takes Elaine off the "do not deliver" list because she wouldn't pay for a delivery she didn't order.

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ELAINE: I didn't order any of this. I'm not paying for this.

LEW: Fine Benes. We are putting you on our list.

ELAINE: What list?

LEW: The "do not deliver" list."off the delivery list

ELAINE: MERRY CHRISTMAS TO YOU! Well, I guess we'll just go out.
Elaine of course cannot stick to this, and tries for another delivery.
ELAINE: (phones) Um, yeah, hi, I'd like delivery please to 16 West 75th St. apartment 2G.

LEW: I know that address. You're Benes, right. You're on our list. No more delivery.

ELAINE: No. no, she doesn't live here anymore. This is someone else.

LEW: Oh, yeah. What's the name?

ELAINE: Why do you need the name? You already have the address.

LEW: We need a name. Give us a name.

ELAINE: Okay, okay, Ned Isakoff.
Ned is the visitor in her apartment.
LEW: Ah, I knew it was you! You tried to trick Hop Sing! You are onour list; Elaine Benes! And now you are on our list; Ned Isakoff.

NED: You got me blacklisted from Hop Sing's?

LEW: She named name!
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Posted By: Kidist P. Asrat
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Wednesday, May 28, 2014

Neat, Precise, Inventive: Canada's Culinary Expert


Christine Tizzard's Best Recipes Ever

If you want to know who is the new Martha Stewart (of cooking at least), here she is:

Christine Tizzard, who has a daily 1/2 hour show on the CBC's Best Recipes Ever.

She is neat, precise, efficient, and creative. These are hard traits to combine. Her daily shows are posted on the CBC's Best Recipes Ever site, if you want to watch her in action.

She talks about her family, talks her way (a little too much, I have to say) through the food preparations, and gives us recipes on a daily basis. And lots of tips. She also has a weekly column in Canadian Living magazine.

Like Martha Stewart, she started her media career as a beauty pageant contestant. She's also acted in a couple of films. But, she realized her potential and went to George Brown College, the local Toronto college, to study culinary arts (cooking), and came out with a new vocation.

The Canadian media tries to glamorize her. This article says she's married to a "rock star." But, I've never heard of him. It's better to call him a musician. And for her to stick to her cooking, which looks like the more lucrative option.
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Posted By: Kidist P. Asrat
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Sunday, April 13, 2014

Easter and Passover


Moses and parting of the Red Sea, from Cecil B. Demille's The Ten Commandments

I wrote the article below in 2010, and it was published at Frontpage Magazine.

It is a critique of religion, contemporary American politics, multiculturalism, and Christianity. I am not a politician (nor a student of politics), but I'm surprised at how prescient some of my points were back then (this is four years before Obamacare becomes part of American health care)

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Reclaiming Religion From the Left
Published in Frontpage Magazine
April 19, 2010


[Commentary on the 1956 Cecil B. DeMille's 1956 film The Ten Commandments should be screening this Easter on television, as it is an annual tradition. "Please check you local listings."]

Two television networks showcased Cecil B. DeMille’s epic 3 ½ hour The Ten Commandments this Easter: ABC and Canada’s CBC. The 1956 film had no need for our 21st century Computer Generated Imagery to convince us that the Red Sea was indeed parting, and that the “bush burned with fire, and the bush was not consumed” (Exodus 3:2). I wondered if the networks made this choice because there is really no superlative modern narrative of Christ’s crucifixion and resurrection? We have Mel Gibson’s The Passion of Christ, but its gore and blood is too hard to take at Easter. The Last Temptation of Christ by Martin Scorsese is too idiosyncratic, and would be something to watch and study at another time in the year. There are plenty of bland and insipid made-for-television versions of Christ’s story, many of which are programmed during Christmas, but for some reason they were not screened this Easter.

Perhaps these channels chose to commemorate Passover rather than Easter, which fell around similar dates this year. Or they’re simply following the ritual of politically correct inclusiveness. Even President Obama has made Passover Seder-at-the-White House a new tradition, hosting it for the second time as President. No other President before him has hosted the Seder at the White House. Obama’s Seder started on a whim, it seems. During his campaign trail, two young Jewish aides were celebrating their Seder in a basement of a Pittsburgh hotel, away from home and family, when Obama joined their festivities.

Obama’s interest in Jewish celebrations may indeed be a liberal’s outreach to cultural diversity – after all, the White House now hosts Ramadan dinners. But, it fits his narcissistic personality, conforming the Seder to any situation he may be experiencing at the time of the holiday. At the first, impromptu, Seder in Pennsylvania when his campaign was steeped in the Reverend Wright controversies and was “in the desert,” as another campaign aide put it, Obama proclaimed “Next year at the White House” as an addition to “Next Year in Jerusalem” commonly said at the end of the dinner. Perhaps, as suggests Judi Kantor from the New York Times, this year’s focus could have been one of the universalist themes that Obama is so fond of: to free Americans from the bondage of capitalist healthcare and to give them the abundance of Obamacare.

The Center for American Progress has another suggestion. In it’s article on Obama’s Seder celebration this year, CAP cleverly used the Bible’s New Revised Standard Version to quote from Exodus 22:21: “You shall not wrong or oppress a resident alien, for you were aliens in the land of Egypt.” Almost all the other versions use “stranger”, “foreigner” or “sojourner” in lieu of “resident alien,” clearly portraying a temporary dweller and not the long-term inhabitant that “resident alien” implies. The CAP’s advice to President Obama is that he treat Mexican illegal aliens with the same compassion they interpret from the NRS, and pass comprehensive immigration reform. But when we parse the words, it is clear that illegal aliens are not the “resident aliens” implied by CAP, but emboldened Mexicans, foreigners and strangers, who wish to take advantage of the lax rules and borders that makes it possible for them to enter and reside in the country with impunity.

One has to marvel at the President’s Seder chutzpah after his dismal treatment of Prime Minister Netanyahu during his recent visit to the United States. It is one thing to celebrate an ethnic festival, but another to respect the significance that the celebrants give their rituals. The Israelites that Obama commemorates in these Seders were freed from bondage in Egypt, and their descendants later received their Promised Land. Yet, Obama seems intent on removing this sacred land from the Jews, and forcing on them new enemies who are probably far more ruthless than the Egyptians.

Modern Christians are in as much danger as modern Jews. Our liberal neighbors, with their feel-good, made-up Christianity are destroying our religion and our communities. Liberal church leaders support issues ranging from comprehensive immigration reform to same sex marriage. Atheists, who have nonetheless constructed their own religion, now have their prophets. In the April 2010 publication of Vanity Fair, atheist Christopher Hitchens performs an iconoclastic dismantling of the Biblical Ten Commandments and then gives us his own petty ten. Like the Old Testament’s Jews, we have to trust that God will free us from our current tribulations.

In fact, End Time preachers use the exodus as an allegory for our liberation. Our ultimate release is entry into God’s heavenly land. But the Passover and Easter stories are also our personal stories. The journey from bondage to freedom reflects our own mundane ordeals. And we experience death and resurrection with each sin and atonement. Celebrating these holidays each year gives us the hope that we too will inherit our particular Israel.

The liberal, politically correct television stations were right after all. The story of Moses, recounting a people’s freedom from slavery, and culminating with the abiding Ten Commandments, was an apt choice for these holidays. Would that our leaders understand and practice its significance. Not just as at religious celebrations, but throughout the year.
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Posted By: Kidist P. Asrat
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Wednesday, April 9, 2014

Dancing with the Stars

Maksim and Meryl, dancing the Foxtrot

Meryl Davis is the Olympian figure skater from the US,who came back from the 2014 Winter Olympics with two medals, one gold and one bronze.

Derek Hough, the star dancer and instructor of Dancing With the Stars, choreographed the Ice Dancing routine, for which she won gold with her partner Charlie White (who is also competing in Dancing with the Stars this year)

Meryl is partnered with Maksim Chmerkovskiy, the competing "star" instructor of Dancing with the Stars, for the 2014 season.

Below is the video for week two, with her and Maksim doing the Foxtrot:



In week three, there was a "switch-up" of partners, and Meryl danced with Maksim's brother Valentin.

Here is the video, with her and Val doing the Tango:



Meryl is the talent to watch. She's received some flack for competing in Dancing With the Stars with her dancing background, but dancers are quick to point out that figure skating might actually be a disadvantage, for the kinds of moves that make up that discipline.

Derek won an Emmy for Choreography at the 2013 awards. For this episode of Dancing with the Stars, he choreographed the Dancing With The Stars Macy's Stars Of Dance. Below is the video:



It is a dark and sombre piece. But what is to be expected of young artists today influenced by vampires and dark fairy tales?

Still, the weavings of Derek's choreography shows true talent. Perhaps, at some point, he will find a better subject then death and destruction (or nihilism). The glimmer of hope is the beautiful young woman in the dance, who might be the muse trying to get out of the horror story.

But, at some point, beauty will have to stand side-by-side with talent, as I hoped at this posting in 2011 on another television dance competition, So You Think You Can Dance. One step at a time.

Dancing With the Stars is also one such show, where amateurs train for weeks to perform like graceful dancers. Some even succeed. And they can all go home and spread the message of beauty.

The Coveted Mirror Ball
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Posted By: Kidist P. Asrat
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Thursday, October 24, 2013

Yes, She Can


Michele Bachmann and Charlie Rangel on CNN's Crossfire
which aired September 19, 2013


Michele Bachmann stands her ground with humor and strength on CNN's Crossfire with race hustler Charlie Rangel, which aired on September 19, 2013.

Below is the video. Her "interaction" with Rangel begins aroud the 1:13 point. Here is the full transcript.



Here are some amusing sections, with Bachmann playing along, but also serious about her points. I've numbered the different sections.
1. BACHMANN: You believe in equal protection for all. You believe everyone should be treated equally.

RANGEL: I believe in the Constitution.

BACHMANN: Hey, we're on the same side. But you believe that everyone should be treated equally. I know you do.

[...]

2.

BACHMANN: Unfortunately President Obama decided he was going to give an exemption for big business...

JONES [Co-host]: Hold on a second.

BACHMANN: ... but not for Joe Six Pack. I'm for Joe Six Pack. Why aren't you for Joe Six Pack, Charlie?

[...]

3. RANGEL: The president got reelected on the issues.

BACHMANN: And so did I. And so did I.

[...]

4. RANGEL: She's a lawyer. She's a very good legislator.

BACHMANN: And don't forget attractive.

RANGEL: There's only one question. What?

BACHMANN: That came out of your mouth.

RANGEL: It did. I say that so often people say that that's sexist and everything, so...

BACHMANN: No, no, no, we like that.

RANGEL: I don't know about that "we," but no one's going to challenge your beauty.

CUPP: All right. Someone has to break up this love fest.

RANGEL: And even the beauty of having so many children that you've raised. So -- but...

BACHMANN: I like Charlie.

[...]

5. RANGEL: ...no one's going to challenge your beauty.

CUPP [co-host at Crossfire]: All right. Someone has to break up this love fest.

RANGEL: And even the beauty of having so many children that you've raised. So -- but...

BACHMANN: I like Charlie.

[...]

6. RANGEL: Do you agree with me that the Republican Party as a national party, it is so dead in ten years based on a whole lot of strange..

BACHMANN: Watch the phoenix rise from the ashes, Charlie.

RANGEL: And I need the Republican Party, because we've got to have someone to beat up on.

BACHMANN: Oh, Charlie, as a Congressman, you're going to be sorely disappointed.
Rangel is quite taken in by Bachmann. But, she won't let him argue based on her "beauty" and instead mocks him for not putting up a fight.
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Published by Kidist P. Asrat
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Thursday, October 3, 2013

Delmonico's and Blue Bloods

My favorite New York City Cop Show, Blue Bloods, starring Tom Selleck as my favorite New York City Cop, Frank Reagan the patriarch of the Blue Bloods, started a new season last week, but reruns have been going on for a while. In the 2011 rerun "Dedication" which aired last week, Frank was shot in front of a restaurant where he had finished a meal with some friends. Not to worry, he had a stay in hospital, but he was back to normal, and on to another episode by the end of the show. (I have to admit Selleck in not a particularly good actor - Donny Wahlberg of the "boy band" New Kids on the Block is a surprisingly superior actor despite his hip hop background. He plays Frank's son Danny. But Selleck has a gravitas that requires we take him seriously, and his earnestness, and rough good looks, gives him a high likability factor. We trust and like him as a widowed father of four (grown) children, and as New York City's Police Commissioner).

Delmonico's, the restaurant where Frank was shot, is an actual New York City establishment. The interior looks interesting, with large panel paintings of restaurant patrons covering most of the walls. I tried to find out who painted them. It looks like the artist is an anonymous painter.


Frank Reagan having a meal at Delmonico's with friends

Below are shots of Delmonico's lush interior and walls decorated with panel paintings.















The building has a complicated history: it has been demolished, relocated, rebuilt, and several Delmonico's built around New York. The final incarnation which we see in Blue Bloods is back on Beaver Street.
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Posted By: Kidist P. Asrat
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Monday, July 22, 2013

Columbo's Canine Aide


Good-bye, Lieutenant Columbo
By: Whiteling
Columbo with his beloved canine, Dog


My favorite detective, other than the classy Jessica Fletcher who solves murders in Murder She Wrote (I blogged about her here), is her complete opposite: the scruffy Columbo. Fletcher looks, and acts, efficient and observant. Her method is methodical. Columbo, with his scruffy jacket, mop of a hair, squinting eye (which he lost due to cancer at age three, and which is a prosthetic) and exuberant side-kick dog, is less threatening. People don't notice him much, so he gets away with rummaging through homes, cars and other private properties.

"He looks like a flood victim," Falk once said. "You feel sorry for him. He appears to be seeing nothing, but he's seeing everything."

Columbo's side kick dog is a large, friendly basset hound, with a deep and boisterous bark and an incessantly wagging tail. He is also pretty stubborn, and at times makes his master Columbo carry to where he's supposed to go. And Columbo obliges, even when he has not time for stubborn, tail-wagging dogs sabotaging his murder investigations.

The dog's name is...Dog. Nothing else would fit, is Columbo's excuse for not naming the poor Dog.

Columbo is a detective of Italian descent. He is actually played by Jewish actor Peter Falk. But to my surprise, during the episode Identity Crisis, Columbo rips through in Italian with one of his co-actors, Vito Scotti, who plays Salvatore Defonte, an Italian winemaker.

But, Dog takes over the scene whenever he appears, which is why Columbo leaves him in the car (with promises of ice-cream) as he goes about the important work of solving murders.
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Posted By: Kidist P. Asrat
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Thursday, June 20, 2013

The Legacy of the Rockefellers in New York City


Atlas Statue at Rockefeller Center in New York
The sculpture depicts the Ancient Greek Titan Atlas holding the heavens. It was created by sculptor Lee Lawrie with the help of Rene Paul Chambellan, and it was installed in 1937.

The sculpture is in the Art Deco style, as is the entire Rockefeller Center. Atlas in the sculpture is 15 feet tall, while the entire statue is 45 feet tall, as high as a four-story building. It weighs seven tons, and is the largest sculpture at Rockefeller Center. The North-South axis of the armillary sphere on his shoulders points towards the North Star as seen from New York City. [Source: Wikipedia]
A recent PBS program featured the Rockefeller family. Like the Morgans, this is a family which influenced New York, and of course America.

The program is in several parts. Here is a synopsis:
The Rockefellers" is the saga of four generations of a legendary American family whose name is synonymous with great wealth.

The story begins in the Christian revivalist fervor of the 1830s with a marriage of opposites: Eliza Davison, a pious young woman, and "Devil Bill" Rockefeller, swindler, snake-oil salesman, and eventually, bigamist. Their son, John D. Rockefeller, created an industrial empire -- and a personal fortune -- on a scale the world had never known. He ruthlessly crushed his competitors in the process, alienating the public and leaving a stain on the family name. His dutiful son, John D. Jr., was a self-sacrificing young man who devoted his life to redeeming his family's reputation. Junior's five sons scaled the heights of the American century. One, Nelson, reached highest, exposing the very private Rockefellers once again to the harsh judgment of public opinion. In the 1960s, a fourth generation of Rockefellers -- "the Cousins" -- rebelled against their family, which had come to personify what was then known as "the establishment. (More here)
I think this sums up the attitude of the PBS programmers: "The Rockefellers were evil capitalists who were only interested in how to get very rich, off the blood of sweat of ordinary Americans, including innocent competitors."

What I saw was a hard-working, unsentimental family, which understood that making money was not a fool's business. Yet, at the same time, its members were deeply involved in their community, and by extension, their country. As they built their fortune, they also built their country.

Rather than their financial contributions, I was more interested in their architectural and artistic legacy, and more specifically, their legacy in New York City.

According to a list at Wikipedia's The Rockefeller Family, the Rockefellers left behind:
- Rockefeller Center, a multi-building complex built at the start of the Depression in Midtown Manhattan, financed solely by the family

- Museum of Modern Art, New York City, from 1929 (Abby Aldrich, Junior, Blanchette, Nelson, David, David Jr., Sharon Percy Rockefeller)

- Riverside Church, New York City, 1930 (Junior)

- The Cloisters, New York City, from 1934 (Junior)

- Lincoln Center, New York City, 1962 (John D. 3rd)

- World Trade Center Twin Towers, New York City, 1973-2001 (David and Nelson)
A small, but significant, incident took place while the Rockefeller Center's mural was being designed. The chosen artist, Marixist Mexican Diego Rivera, had painted a portrait of Russian Communist leader Vladimir Illich Lenin on his mural. He was asked to replace it, but refused. He was removed from the premises, and the mural destroyed.

This is how serious these "capitalists" were.

Below is a more detailed account of Rivera's presence in New York:
Rockefeller’s contractors sent proposals to three chosen artists-—Pablo Picasso, Henri Matisse, and Diego Rivera-—inviting each to participate in a “contest.” Instructions were clear, down to the material (canvas, not fresco), color scheme (black and white), and even the varnishing requirements (5 coats). And all three artists rejected the offer. As Rivera explained twenty-five years later in his autobiography, “there are few indignities that can be thrown in the face of an established painter greater than to offer him a commission on terms which imply any doubts as to his abilities.” Architect Raymond Hood was ready to drop Rivera, but Nelson Rockefeller-—executive vice-president for Rockefeller Center-—intervened, and his mother backed him up. Nelson praised Diego’s Detroit murals and wrote notes containing such flattering statements as “Please let me know when your frescoes in Detroit are finished so that we can arrange to come up and see them. Everybody is terribly anxious to see how you have interpreted the industrial life of Detroit” (letter of October 13, 1932). Rivera eventually agreed to do the mural, although negotiations dragged on over the summer between architect and artist over Rivera’s demands. According to Rivera, Nelson Rockefeller intervened in May 1932 and, in the end Rivera won out—he would be permitted to use color and the material could be fresco rather than canvas.

Rivera submitted a sketch addressing the agreed upon theme: “Man at the Crossroads Looking with Hope and High Vision to the Choosing of a New and Better Future.” The design concept, although eulogizing workers and indicting the more flagrant facets of American industrial society, was approved by Nelson and the architects. In March of 1933, Rivera set to work with a cadre of assistants.

As the painting neared completion in late April, a New York World-Telegram reporter, Joseph Lilly, visited the R.C.A. building for a preview. The resulting April 24 article, titled “Rivera Paints Scenes of Communist Activity and John D. Rockefeller Foots Bill,” highlighted many themes that were not at all new to those familiar with Rivera’s work. The abundance of the color red and the representation of toxic materials, for example, had also appeared in the Detroit murals. On April 28, however, an element was added that would almost seemed calculated to create controversy, the figure of Russian revolutionary leader Vladimir Illich Lenin.

Several days later, Raymond Hood the architect was on the scaffold examining some ceiling paint that had dripped onto Rivera’s mural and noticed the addition. And then, as Rivera’s assistant remembered, “the fun began.” On May 4, Rivera received a letter from Nelson Rockefeller. Claiming to find the mural “thrilling,” he nevertheless requested that another figure be substituted for that of Lenin because it “might seriously offend a great many people.” Although the figure of Lenin had not appeared in his original sketches, Rivera refused to budge. Lenin would remain, but he did offer to compromise by balancing Lenin's mural with that of some great American such as Abraham Lincoln. (The Correspondence between Rivera and Rockefeller)

At this point, the matter was turned over to the management team of Todd, Robertson, and Todd. Several days later, the Rockefeller Center management team—-along with security guards-—escorted Rivera off the scaffold, handed him a check for $14,000—the balance of his $21,000 commission—and placed tarpaper over the mural. Workers protested by picketing outside. Intellectuals, artists, and activists mounted both pro- and anti-Rivera campaigns.

The mural remained covered for about ten months. During the fall and winter, Nelson, Abby, and people from MoMA, tried to find a way for the fresco to be removed intact and transported to the museum, but no technique for removing it proved workable. At midnight on Saturday, February 9, 1934, the mural was destroyed and the chunks of plaster carted off in fifty-gallon oil drums.

Before we proceed to explore the cultural drama behind the creation and destruction of the most famous mural of the twentieth century, we should pause to consider what it looked like -- more or less. In 1934, Rivera recreated the design orginially intended for Rockefeller Center in the Palacio de Bella Artes, Mexico City. He entitled it, "Man, Controller of the Universe," and, in three obviously pointed gestures, kept the image of Lenin and added portraits of Trotsky and Nelson Rockefeller himself shown enjoying a drink in the nightclub scene beneath the hovering syphilis cells. [Source: The Battle of Rockefeller Center, Published by University of Virginia]
Rivera recreated the mural in Mexico City, including Lenin and adding Trotsky. The Mexicans accepted it, and it still stands in the Palacio de Bellas Artes in the city's center. They can have it.

Diego Rivera's fresco Man at the Crossroads on the RCA building
at the Rockefeller Center, covered with canvas. It was destroyed over
the weekend of February 10–11, 1934 [Image and text source: Moma.org]


Below is a photo I took of the Cloisters, and here is a post I wrote on my visit to the Cloisters last year:


Garden in the Cloisters
Discussed in: Garden Guide: New York City pp. 33-37
Cloisters Flowers
[Photo by KPA, August 2012]



Cloisters Terrace With a View of the George Washington Bridge
[Photo by KPA, August 2012]


Above is a photo I took from Cloisters' terrace with a view of the George Washington Bridge and the Hudson River. Across the river is New Jersey, and the undeveloped stretch of land is the New Jersey Palisades. John D. Rockefeller had the Cloisters built especially to house his medieval collection. He also bought several acres of the Palisade hills across the river in order to have the best view possible from the Cloisters.
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Posted By: Kidist P. Asrat
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