Sunday, December 30, 2018

Jesus' Earthly Father

We read so much about Mary and Jesus, and the art world has glorified her role in so many ways, that in these few days before Christmas, I thought I would post some paintings and sculptures of Joseph with Jesus.

(Previously posted at Camera Lucida, December 18 2007)


Left: St. Joseph. By Rudolph Blattler, Switzerland, 1899
Right: St. Joseph with the Christ Child.
By Giovanni Francesco Barbieri (Il Guercino), Italy, 1600s



Left: St. Joseph and Child. By Enrico Reffo, Italy, 1800s
Right: Saint Joseph and Jesus. By Enrico Manfrini, Italy, 2000



Left: Saint Joseph and Jesus. By Bartolome Esteban Murillo, Spain, 1600s
Right: Holding Heaven. By Ron DiCianni, USA, 2004



Left: Saint Joseph and Jesus. By Giovanni Battista Gaulli (Baciccia), Italy
Right: Saint Joseph and Jesus. By Brother Simeon, USA, 1900s


There is much more at: Oblates of St. Joseph

Saturday, December 29, 2018

From Nothing to Hip-hop



"And those who were seen dancing were thought to be insane by those who could not hear the music" Friedrich Nietzsche

Below is a recent encounter I recently had with a young boy at the Square One Mall Food Court in Mississauga. And below that, I re-post another encounter I had with a young man at the nearby Jubilee Garden, near the mall, about two years ago.


I inadvertently sat next to a young white boy (about ten or eleven years old) in the busy Square One Food Court (where I hardly ever sit down and just pass through for a short cut or to quickly get french fries or some such snack).

This time I sat down with a Starbucks coffee.

When I first found a seat in the food court, there was a man eating some kind of greasy hamburger type meal with a heavy smell right diagonal to me.

I got up and moved across to the other side. While doing so, I didn't see that a young boy was sitting across (diagonal again!) just finishing off some meal. He was so quiet and silent.

After I added the sugar to my coffee, I looked up and around, and saw him there watching me. I smiled at him and continued drinking my coffee, in a hurry to be off.

Then it was my turn to watch him.

"Are you here by yourself?" I gently asked this boy, who bravely sat amidst this sea of black, brown and yellow faces, looking like an angelic apparition, like a visitor from another world. He had slightly wavy gold blond hair.

"Well my Mom was supposed to meet me here. But she's not here," he replied with a slight tone of irritation to his voice, barely audible. He didn't want to sound like he was complaining.

It was a Saturday afternoon so I intuited that he must be doing some kind of "extracurricular activity," and probably a sport.

"Are you getting ready for a match or something?"

"No. But I'm in a competition later on this afternoon."

"What kind?"

"Hip-hop."

I was a little taken aback. I didn't expect that.

But why not? The boy looked like a younger, much blonder, Justin Bieber, the star who's won all the accolades with his reinvention of the black dance style.

"So are you going to win?" I teased him.

"Of course!" he replied putting on his fighting front. He wasn't gong to let me get away with it.

By then, I was ready to leave.

I put a thumbs up and smiled "Good Luck."

"Thank you," he replies, once again alone, and waiting for his mother.

I intuitively refrained from telling him "what to do."

Like, for example: "Join a ballet class." Or "Find a modern dance program."

But let him find out for himself, the hard way. That way it will have true meaning for him, when he realizes the artistic limitations of hip hop.



Reclaiming Beauty
Sunday, October 16, 2016
Nothing

I was by the lovey Jubilee Garden in Mississauga when I saw a young man moving gracefully. At first it looked like he was doing some kind of stretching exercise, but he was moving to some inner rhythm. He was not a dancer (I didn't think so) but he was graceful.

"Are you an artist?"

"No."

"What do you do?"

"Nothing."

"Oh. What did you study?" I've met before another young man who told me he had recently been a student at the nearby Sheridan College and was going on with more school since he couldn't find work.

"Philosophy," said this young man.

"You're a philosopher!" I concluded, pointing my finger at him telling him off for his lazy withdrawal.

How many times did this young, white man hear that he was "nothing?" In this world where the brown-skinned man rules, where Chinese and Indian philosophers are venerated, where multiculturalism runs the world, the heir to the white western civilization is deemed "nothing."

Does this young man realize that it is this "nothing" civilization that his "nothing" ancestors built which draws all these people here, reaping all the benefits but giving him nothing in return, other than to call him "nothing?"

Friday, December 28, 2018

God's Wrath is Palpable

If we are to save our civilization we have to put a higher standard to the words we use.

Words are the outward manifestation of our thoughts (and feelings) and sometimes (and more often than not) display our own particular truths, how we see the world.

Wars have started because of words. Unions have been broken because of words, and sometimes even just one word. And as my google spell check tells me, unions have been "born" (a clumsy effort at correcting my misspelt bron "broken") because of words .

At a recent entry at the Orthosphere, Kristor writes: Be Not Afraid.

And proceeds with a long article on how God is there for us.

But somewhere in the middle he slips:
If God exists, the battle is won already.
If

If God exists.

God's wrath is palpable in this time of those who deign to doubt.

He that is not with me is against me
Matthew 12:30

"One little abstract sliver of the transcendent"


Cloisters, New York
[Photo By: KPA]


In my most recent post, Paris Would Show Me Her Beauty, I quote Theodore Dalrymple as well as post a full article by him, surprised that someone should understand how my 9-year-old self felt about the looping peripheral roads that surround Paris.

I was trying to illustrate my impressions (and feelings) as we arrived in Paris and traveled through the strands of autoroutes to get to our apartment in the center of Paris.

I had googled 'peripherique' and got to Dalrymple's article somehow. I used to read his on City Journal, but soon tired of his prison stories. I haven't read any of his articles for years now.

Well if I am to post a full article by him on my blog, I should really know more about him, and one way to do so would be to buy one of his (many) books.

And why not his most recent, which is a co-authorship with Kenneth Francis titled: The Terror of Existence: From Ecclesiastes to Theatre of the Absurd, and just came out on December 10, 2018?

There is not really much about the authors other than their literary achievements on these book-selling sites, so I went to good old reliable Wikipedia to find out more.

There is a lot there, but here's what caught my attention:
[Dalrymple] is an atheist, but has criticised anti-theism and says that "to regret religion [...] is to regret our civilisation and its monuments, its achievements, and its legacy". Raised in a non-religious Jewish home, he began doubting the existence of a God at age nine. He became an atheist in response to a moment in a school assembly.
Here he writes (at City Journal once again) about that incident:
I first doubted God’s existence at about the age of nine. It was at the school assembly that I lost my faith. We had been given to understand that if we opened our eyes during prayers God would depart the assembly hall. I wanted to test this hypothesis. Surely, if I opened my eyes suddenly, I would glimpse the fleeing God? What I saw instead, it turned out, was the headmaster, Mr. Clinton, intoning the prayer with one eye closed and the other open, with which he beadily surveyed the children below for transgressions. I quickly concluded that Mr. Clinton did not believe what he said about the need to keep our eyes shut. And if he did not believe that, why should I believe in his God? In such illogical leaps do our beliefs often originate, to be disciplined later in life (if we receive enough education) by elaborate rationalization.
That moment in school assembly - AT AGE NINE! - is when he peeked from a closed-eye school prayer session and saw the Headmaster also peeking!

What intelligent nine-year-old doesn't clumsily confront God because of another clumsy transgression by an adult?

By age 30 this should be simply a "childish transgression" caused by irresponsible (and even perhaps non-believing) adults, and the belief, or non-belief, in God is based on more lofty matters.

But Dalrymple writes this article in 2007 at age fifty-nine! What fifty-nine-old, at the brink of his final meeting with God, makes his nine-year-old experience a pivotal moment in his life regarding his assessment on the presence (or absence) of God? What fifty-nine-old self-acclaimed philosopher does so? The intuition of little children, I suppose, reverse quoting Jesus' "Suffer the Little Children" to the level of blasphemy, and Dalrymple has blasphemed countless of times in his City Journal article.

But being an expert in philosophy, he knows that his non-belief cannot remove God, so wouldn't that make it a reason, the reason, to BELIEVE in God? What Dalrymple does is to leave a small crack for this momentous Being to somehow prove to him that He exists and thus to be worthy of belief. The arrogance of the atheist!

Since my posts are about beauty and art, I was interested in Dalrymple views on beauty and art. But he writes as though beauty appeared out of nowhere, as does his whole premise about life: it came out of nothing.

The arrogance of the atheist!

But it is more than arrogance now. We can ignore arrogance, or cram it into some ivory tower of an Ivy League. But many, ordinary, people read City Journal. And the language is not overly intellectual that many young people (smart school students, for example) can read it too. And there isn't time to go through texts of philosophical discourse, which the likes of Dalrymple spend decades deciphering, so what Dalrymple gives us is it.

Unless, that is, we start printing our own journals, far away from these postmodern centres of thought (and residence) to refute every single word that writers like Dalrymple conjure up, and make his sound like the seasoned wordwizard he is.

After I wrote (re-wrote) this post on Dalrymple, I googled his name further and found that Lawrence Auster of The View from the Right couldn't let pass Dalrymple's nihilistic (I would say Godless) view of our universe, and in one short phrase (amidst several comments by VFR readers related to atheists in general) he writes:
First the transcendent is denied, leaving only one little abstract sliver of the transcendent in place...[Note: the link is to a speech Larry made: The Political Religion of Modernity]
Which is what I say. A sliver of a comment adds to other slivers of comments, and then a whole anti-God thesis is drafted, by people we trust to be our allies.

Which is why we should we start printing our own journals, far away from these postmodern centres of thought (and residence).

And a website is a start.

God is watching.

Wednesday, December 26, 2018

The Twelve Day of Christmas



On the first day of Christmas
my true love sent to me
A Partridge in a Pear Tree
On the second day of Christmas
my true love sent to me
Two Turtle Doves
and a Partridge in a Pear Tree

On the third day of Christmas
my true love sent to me
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the fourth day of Christmas
my true love sent to me
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the fifth day of Christmas
my true love sent to me
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the sixth day of Christmas
my true love sent to me
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the seventh day of Christmas
my true love sent to me
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the eighth day of Christmas
my true love sent to me
Eight Maids a Milking
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the ninth day of Christmas
my true love sent to me
Nine Ladies Dancing
Eight Maids a Milking
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the tenth day of Christmas
my true love sent to me
Ten Lords a Leaping
Nine Ladies Dancing
Eight Maids a Milking
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the eleventh day of Christmas
my true love sent to me
Eleven Pipers Piping
Ten Lords a Leaping
Nine Ladies Dancing
Eight Maids a Milking
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

On the twelfth day of Christmas
my true love sent to me
12 Drummers Drumming
Eleven Pipers Piping
Ten Lords a Leaping
Nine Ladies Dancing
Eight Maids a Milking
Seven Swans a Swimming
Six Geese a Laying
Five Golden Rings
Four Calling Birds
Three French Hens
Two Turtle Doves
and a Partridge in a Pear Tree

For The Young Blonde Boy at the Square One Giant Multi-Culti Food Court

Here where he should be

https://reclaimingbeautymain.blogspot.com/2018/12/it-came-upon-midnight-clear_25.html

Tuesday, December 25, 2018

A Merry Christmas


The Adoration of the Magi
c. 1440/1460
tempera on poplar panel
overall (diameter): 137.3 cm (54 1/16 in.)
framed: 188 x 171.5 x 12.7 cm (74 x 67 1/2 x 5 in.)

Fra Angelico and Fra Filippo Lippi
Fra Angelico
Florentine, c. 1395 - 1455
Fra Filippo Lippi
Florentine, c. 1406 - 1469

Samuel H. Kress Collection
National Gallery of Art , Washington D.C.

It Came Upon a Midnight Clear


The Choir of King's College, Cambridge, 2006

I am writing this post just after midnight. And the message now is clear, and clearer at midnight as messages often are.

It Came Upon a Midnight Clear


The Choir of King's College, Cambridge, 2006

I am writing this post just after midnight. And the message now is clear, and clearer at midnight as messages often are.

Monday, December 24, 2018

Merry!


"Holiday" Event at Square One: Merry and Bright Holiday Market
[Photo By: KPA]


The Square One Mall retailers refuse to use the word Christmas in the way that it was intentioned.

They've now come up with a "pop up" "market" which consists of various stalls, which they've called a "Holiday Market," which is "Merry and Bright." Yay!

I've been inside, twice, to see if maybe I was missing something.

The last time I was there, I went to some stall (I forget which) and saw a "South Asian" woman, clearly a lesbian, with cropped hair and tattoos all the way down her arms and on her bare breasts (bare upper breasts, but who knows what's going on in the non-visible parts of the rest of her body). I saw all this as she started to talk to me, and I just walked away.

The sponsors of the "market" are listed on the photo above at their site, but the most curious is KIND®, which purports to sell "healthy snacks." But KIND® is still a prepackaged and processed food, and there are no numerical values for the "30% less sugar" (30% less sugar compared to what?) and "low sodium" (see sugar example) on their website.

And KIND® has a "KINDness Tree" in that merry pop-up market where you can "hang a wish" if you so desire. We can do it (be kind and gift-giving, that is) without Jesus and Mary and Joseph and that godforsaken donkey, those nuisance characters in that myth who tend to taken over OUR Holidays. All we need is to OWN it all: The Christmas Tree® and The Christmas Feeling™, and we can enjoy a time of kindness and gift-giving for ALL.

"Be kind" is the motto of our age, and God help you if you're not!

MERRY!

Saturday, December 22, 2018

Hockey Champions and Champions of Humor at Celebration Square


Darcy and Me

Mississauga Celebration Square hosted a "Hometown Hockey" this (Saturday) afternoon. Since I normally walk through the mall, past the vast Civic Centre building, to get to and from my apartment, I followed my usual itinerary and was pleasantly surprised when I returned in time for lunch. There was a hockey legend waiting to sign autographs.

I don't watch sports. Occasionally I will watch gymnastics, figure skating and diving competitions. But that's about it. Oh yes, and tennis.

But I appreciate what hockey players do, swiveling around the ice at top speed, following a flat hard plastic (that puck) to score into a miniature goal guarded by a giant padded bear.

It is a high velocity game which requires a high degree of skill, and Darcy appears to be one of the game's champions.

I had read about the event but forgot about it.

I got an autograph and a photo. I look a little coy in the above photo, with the generous Darcy posing amiably. But I was looking down at the autograph as the camera clicked.

But the quintessential Canadian game also needs the quintessential Canadian entertainment: comedy. A very funny Hockey Circus Show starring "Paz" was going on at the same time. Paz aims to throw around burning hockey sticks etc. at his circus, show but he never stopped throwing out his jokes at us.

"Why doesn't he get on with it?" says a frustrated elderly lady. But I was happy to laugh at his verbal acrobats, and left before the hockey sticks started flying around.

Support Reclaiming Beauty


Cloisters, New York City
Photo By: Kidist Paulos Asrat



Please contact me through the contact sheet on the side bar for more information.

At Reclaiming Beauty, I took on the tough challenge of focusing on beauty, which I describe here in my Franciscan University's Power of Beauty conference presentation in 2014:
Reclaiming Beauty: Winning Back Our Western Civilization

Reclaiming Beauty aims to document the contribution that beauty has made toward our Western civilization, from the earliest records of God’s love of beauty, to a young child who sees beauty almost as soon as he is born. Our civilization thrived, prospered and matured through beauty. Our great artists, architects, writers, philosophers and scientists have always referred to beauty with awe and wonder. It is in the modern era that beauty began to be undermined and eventually neglected by intellectual leaders.

Reclaiming Beauty will show that abandoning beauty leads to the death of culture, and eventually that of society. Modern man’s neglect of beauty has initiated the cult of ugliness, leaving us with bleakness and nihilism.

Yet, people want beauty. And they will surround themselves with some kind of aesthetic quality. The man on the street may be able to recognize beauty, but he would not be able to explain why it is beautiful. He may desire beauty, but does not know how to attain it. And he is easily distracted by destroyers of beauty. It is the the task of experts to guide him in the right direction.

With Reclaiming Beauty, I will make a historical, cultural and societal review of beauty. I will trace the steps when beauty was eventually abandoned as a paradigm for civilization.

Rather than attributing beauty to a Godly goodness, philosophers, writers and artists began to view beauty as their nemesis. They saw God as a judge who would not let them do as they wished. In order to pursue the image of beauty they desired, they began to look elsewhere. They began to abandon God, and by abandoning God, they began to change their world, filling it with horror and ugliness.

The purpose of Reclaiming Beauty is to develop ideas and strategies for bringing beauty back into our culture, and to eventually reclaim beauty.

Happy Holly Days From the Art Gallery of Mississauga



The clever folk at the Art Gallery of Mississauga, adept at garnering 3/4 of a billion dollars in government grant money (and countless thousands in private "donations"), have put up their "happy holidays" message and closed shop for "the holidays."

That is for TWO weeks!

No Holiday Shows. No Holiday Specials. No Holiday Eggnog Courtesy of the Museum.

They need to to save all that money for exhibitions which no-one visits, and which the Canadian government funds in the millions, not to repeat myself.

They have found an artist which best exemplifies their godless and anti-christian sentiment, as they sign off, to glean all the "joy and celebration" of OUR Christian Christmas season.

William Ronald's painting is in the gallery's permanent collection and acquisitions, amongst many others. And it is clearly a "choice" the AGM made to represent its Christmas wishes, aka Holiday Greetings, through his abstract expressionist painting.

A Happy Abstract Christmas Holidays to Everyone!

William Ronald's abstract bio is here:
William Ronald was the founder of Painters Eleven, the pioneer movement of Modernism in Canada. Their first exhibition, in 1954, was also the first major commercial display of abstract art in Toronto. As well, Ronald is known for his series of non-representational portraits of Canadian Prime Ministers (1977-84).

William Ronald graduated from the Ontario College of Art in Toronto in 1951 and began working as a display artist for the Robert Simpson Company department store. In 1952, he visited New York City where he studied with the American Abstract Expressionist painter, Hans Hofmann. Back in Canada, he persuaded Simpson’s to pair abstract paintings with furniture displays for a show titled Abstracts at Home, a creative way to get the public to accept non-representational art. Painters Eleven came together as a result of this show. Ronald exhibited with the group in Toronto (1953-55) and in New York (1956) (The River, 1956). [Source: National Gallery of Canada]
Imagine that: "Abstract Furniture!" Flows nicely into Abstract Christmas.

Rolan's signature painting, serving as a Christmas Card for the AGM, is aptly titled: "Untitled," from an exhibition in 1990.

The clever artist (and the Clever AGM Professionals) used the scattered, abstracted, red, and the green swoops of paint, to signify abstracted "Holly" and "Ivy," for the AGM's X-Mas card, to wish us all an Abstract Holly (and Ivy) X-Mas.

The Saints Worked Alone: Support Reclaiming Beauty



Each saint is recognized for his particular characteristics. But all saints were warriors, fighters, for God, and in the name of God. They didn't seek political positions or layman popularity.

But that never diminished their convictions, their mission.

We have their confessions and examples to follow:

Support Reclaiming Beauty

Friday, December 21, 2018

First Day of Winter: 5:23pm (Southern Ontario)


Jubilee Gardenm Mississauga
December 21, 2018
[Photo By: KPA]